Originally posted by LeMartinPecheur
View Post
Elgar's Cello Concerto: Non-du Pré Recordings
Collapse
X
-
Wensleydale Blue
Originally posted by aka Calum Da Jazbo View Post..... what took so long?
Comment
-
Originally posted by Wensleydale Blue View PostHung around in the background for a while, like you do, trying to decide if this was an on-line community that I wanted to belong to. And, after six months the verdict has come in and I've decided that there's just about the right balance of passion and cynicism that means I should fit right in...........[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
-
I've always had a liking for a cheapie cd by Felix Schmidt which was released on the LSO's own label about 1990. (A kind of pre LSO Live label). It's a very honest account and IMHO, has something special to say. I think the conductor is Rapheal Frubeck de Bourges.
I think he was the LSO's principal at that time.
Comment
-
-
Sticking my neck out here, but I have to say that I have never heard a really poor version of the concerto. Perhaps its one of those works which is so good that we do not notice any imperfections in the performance? Incidentally, how typical of the rigid divisions which still exist within the BBC that the item about the new recording on the Today programme did not include any reference at all to the fact that 40 minutes later listeners could enjoy longer extracts "over on Radio 3".
Comment
-
-
Thropplenoggin
Originally posted by johnn10 View PostSticking my neck out here, but I have to say that I have never heard a really poor version of the concerto. Perhaps its one of those works which is so good that we do not notice any imperfections in the performance? Incidentally, how typical of the rigid divisions which still exist within the BBC that the item about the new recording on the Today programme did not include any reference at all to the fact that 40 minutes later listeners could enjoy longer extracts "over on Radio 3".
Comment
-
Originally posted by Wensleydale Blue View PostNot a huge fan of Elgar but the cello concerto does get an airing occassionally. My version is the Wispelway one that is coupled with Lutoslwski's concerto, which I bought for the latter and not the former. I quite like his version of the Elgar though because it doesn't go in for the overly passionate appraoch that is associated with Du Pre and seemingly almost all cellists since. I am I allowed to be controversial in my fifth post?
Comment
-
-
amateur51
Originally posted by Wensleydale Blue View PostHung around in the background for a while, like you do, trying to decide if this was an on-line community that I wanted to belong to. And, after six months the verdict has come in and I've decided that there's just about the right balance of passion and cynicism that means I should fit right in...........
Comment
-
Originally posted by Petrushka View PostI don't actually have the famous Barbirolli/du Pre version on CD but do have the same partnership (with the BBCSO) in a live performance given in Prague in 1967 and available on Testament.
Comment
-
-
Mahler's3rd
Hi Ive got the Beatrice Harrison and The Du Pre/Barbirolli, was interested in getting the new one with Alisa Weilerstein, has anyone got it yet & if so what's it like?, It sounded great on CD Review the other morning while i was on my way to London, think it's quite an interesting idea coupling it with the Eliot Carter, any thought's anyone?
Comment
-
Originally posted by johnb View PostI prefer the Prague performance to the studio recording. (Incidentally you can reconstruct the entire Prague concert by getting the Barbirolli Mahler 4/Berlioz Corsair on BBC Legends. Some concert!)"The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Originally posted by Wensleydale Blue View PostHung around in the background for a while, like you do, trying to decide if this was an on-line community that I wanted to belong to. And, after six months the verdict has come in and I've decided that there's just about the right balance of passion and cynicism that means I should fit right in...........
Sounds about right!
Looking forward to more from you, Mr Wensleydale!
Or should we call you Henry?
"The Scene: An Edwardian-style shop which carries the signs
'Ye Olde Cheese Emporium'
'Henry Wensleydale, Purveyor of Fine Cheese to the Gentry and the Poverty Stricken Too'
'Licensed for Public Dancing'
Two men dressed as city gents are Greek dancing in the corner to the music of a bouzouki.
Mousebender enters.
....
MOUSEBENDER: You do have some cheese, do you?
WENSLEYDALE: Of course, sir. It's a cheese shop, sir. We've got .....
MOUSEBENDER: No, no, don't tell me. I'm keen to guess.
WENSLEYDALE: Fair enough.
MOUSEBENDER: Er, Wensleydale?
WENSLEYDALE: Yes?
MOUSEBENDER: Ah, well, I'll have some of that.
WENSLEYDALE: Oh, I thought you were talking to me, sir. Mr Wensleydale, that's my name."
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Originally posted by Mahler's3rd View Postwas interested in getting the new one with Alisa Weilerstein
Sister of Josh, whom we heard (and ammy51 saw) last week live in his first concert conducting the BBCSO.
Talented family or what..."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Comment
-
-
Mahler's3rd
Very talented indeed, I saw her play the Elgar Concerto on Television with Daniel Barenboim, she really is quite something. I went to a recital she did at Wigmore Hall a couple of years ago where she played Bach's 1st Cello suite & works by Golijov & Kodaly, she really is compelling to watch. It's great there are so many young vituoso soloist's around, I have'nt got anything by Elliott Carter either Caliban, so it might be a good starting point
Comment
-
We saw her impressive Proms debut in First Shostakovich Concerto at the Proms a couple of years ago. Standing not too far away in the Arena, I remember being intensely moved by her very hushed rendering of the slow movement ... and also chatting to a member of the Minnesota Orchestra the Queen's Arms afterwards.
Comment
-
Comment