Originally posted by amateur51
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Record Review: non-BaL discs reviewed, etc.
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Originally posted by cloughie View PostMastertape rumble was always another problem in quiet passages.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Rattle/BPO Rite of Spring
Originally posted by Barbirollians View PostI am afraid I have to agree about Tennstedt - his EMI Mahler 3 put me off the composer for years .
No, this is about Rattle and the BPO's recent Rite of Spring on EMI. If there is another thread dealing with it, my apologies, and this should be transferred (please Cali). I have found the succession of recordings enshrined by Rattle and his BPO generally very depressing in their mediocrity. Rarely anything much wrong with them but they are always so easy and so safe. Never any sense of going to the edge; no wonder they play everything so wonderfully, they never test themselves. Also, the recordings are so often very soft edged, too.
I am clearly not alone in this view and everyone just assumes that this will be the position, to the point when i wonder whether Rattle's recordings are properly listened to before print or the air waves are committed to. I do not have a fixed view about it and always hope for something better. His 'safe', 'fine but 'boring' mantra has also, entirely predictably, been trotted out over this new centenary Rite of Spring.
Well, I think that this view in relation to this performance is quite wrong. Rattle certainly has quite a sensuous view of the work but, with the Adoration of the Earth and the Dance of the Earth, and, as the temperature rises in the second half towards the Sacrificial Dance, where the Berliners truly raised the hairs on the back of my neck, it cannot possibly be said that they are not throwing themselves fully into the fray. Equally, the recording, generally, does them full justice, too. So, I think a considerable success.
Just one additional point on the recording, my comments some while back, might be recalled about the hair-raising pyrotechnics that the horns have to surmount in the Dance of the Earth which are so wonderfully audible in Haitink's LPO recording from the Kingsway Hall, are equally audible here, although if I do have a criticism the horns, elsewhere, could be more in the picture, but then I would wouldn't I!?
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Originally posted by LaurieWatt View PostI picked on this mention from Barbirollians just to insert myself into this thread on another recording entirely. So just to say that, although not an admirer of KT's studio recordings, I have always loved his recording of Mahler 3, ditto his live one on ICA Classics which I 'helped'! Chacon a son gout!
No, this is about Rattle and the BPO's recent Rite of Spring on EMI. If there is another thread dealing with it, my apologies, and this should be transferred (please Cali). I have found the succession of recordings enshrined by Rattle and his BPO generally very depressing in their mediocrity. Rarely anything much wrong with them but they are always so easy and so safe. Never any sense of going to the edge; no wonder they play everything so wonderfully, they never test themselves. Also, the recordings are so often very soft edged, too.
I am clearly not alone in this view and everyone just assumes that this will be the position, to the point when i wonder whether Rattle's recordings are properly listened to before print or the air waves are committed to. I do not have a fixed view about it and always hope for something better. His 'safe', 'fine but 'boring' mantra has also, entirely predictably, been trotted out over this new centenary Rite of Spring.
Well, I think that this view in relation to this performance is quite wrong. Rattle certainly has quite a sensuous view of the work but, with the Adoration of the Earth and the Dance of the Earth, and, as the temperature rises in the second half towards the Sacrificial Dance, where the Berliners truly raised the hairs on the back of my neck, it cannot possibly be said that they are not throwing themselves fully into the fray. Equally, the recording, generally, does them full justice, too. So, I think a considerable success.
Just one additional point on the recording, my comments some while back, might be recalled about the hair-raising pyrotechnics that the horns have to surmount in the Dance of the Earth which are so wonderfully audible in Haitink's LPO recording from the Kingsway Hall, are equally audible here, although if I do have a criticism the horns, elsewhere, could be more in the picture, but then I would wouldn't I!?
I haven't gone near a Rattle disc since, even when they can be streamed free.It loved to happen. -- Marcus Aurelius
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Originally posted by Thropplenoggin View PostI bought his CBSO Mahler 2 for Baker, but found Rattle's paw prints all over the symphony. I'm not qualified to say whether his interpretation was literal i.e. exactly what the score asked for, but it sounds like no other 'Resurrection' I've ever heard, and I found most of it anathema to me, the exception being Baker's 'Urlicht'.
I haven't gone near a Rattle disc since, even when they can be streamed free.Last edited by LaurieWatt; 28-05-13, 07:10.
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Rattle's CBSO 'farewell' concert of Mahler 2 in 1998 (I was there) was sensational and how I wish that this had been chosen for CD and DVD release. Quite why it never has is one of life's mysteries.
On the general question of Rattle's BPO recordings I have to agree that they are not really up to it. I like the Brahms cycle, the Stravinsky symphonies CD and the Nutcracker but much else is done far better in other hands. I don't know where the fault lies here. Recorded sound? Repertoire? I have many of them but they rarely make it into the CD player these days and thumbing through some CD's the other day I can't even remember buying, let alone playing, his BPO coupling of DSCH 1 & 14."The sound is the handwriting of the conductor" - Bernard Haitink
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amateur51
Originally posted by Petrushka View PostRattle's CBSO 'farewell' concert of Mahler 2 in 1998 (I was there) was sensational and how I wish that this had been chosen for CD and DVD release. Quite why it never has is one of life's mysteries.
On the general question of Rattle's BPO recordings I have to agree that they are not really up to it. I like the Brahms cycle, the Stravinsky symphonies CD and the Nutcracker but much else is done far better in other hands. I don't know where the fault lies here. Recorded sound? Repertoire? I have many of them but they rarely make it into the CD player these days and thumbing through some CD's the other day I can't even remember buying, let alone playing, his BPO coupling of DSCH 1 & 14.
I have always experienced his live concerts as great occasions and agree completely with Petrushka's advocacy of the Brum farewell Mahler symphony no 2
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I heard part of this morning's discussion of requiems, but frustratingly missed the details of the Suppe (how do I insert accents??). Although the CD Review web page mentions Suppe, they seem to have omitted this disc from the actual playlist details, unless I am looking in the wrong place - can anyone recall the performers and/or label?
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Originally posted by Rolmill View Post(how do I insert accents??)
2) Hold down your "Alt" key down and type in the relevant number from the following list:
This page is part of Ted's HTML Tutorial. This is a list of most of the special ALT characters you can create with your keyboard.
... so, to change Suppe to Suppé, type "Supp" as normal, then "alt - 132" (all without the inverted commas, by the way) and the accented e will appear (you don't need to type the "e" itself).[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post1) Put your Number Lock on.
2) Hold down your "Alt" key down and type in the relevant number from the following list:
This page is part of Ted's HTML Tutorial. This is a list of most of the special ALT characters you can create with your keyboard.
... so, to change Suppe to Suppé, type "Supp" as normal, then "alt - 132" (all without the inverted commas, by the way) and the accented e will appear (you don't need to type the "e" itself).
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For those tantalised by Christine Busch's account of the 'sei solo' - Bach's sonatas and partitas for solo violin - in yesterday's programme, it's available to stream here: http://player.qobuz.com/#!/album/5400439000087It loved to happen. -- Marcus Aurelius
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amateur51
Originally posted by Thropplenoggin View PostFor those tantalised by Christine Busch's account of the 'sei solo' - Bach's sonatas and partitas for solo violin - in yesterday's programme, it's available to stream here: http://player.qobuz.com/#!/album/5400439000087
I'm very grateful for the Quobuz link Throppers - some lovely playing & I think that Andrew was right when he said that she provides an beautiful alternative to the more assertive style of Rachel Podger (that Bodger gets me every time ).
Does anyone else have other thoughts about this - I'm going to listen to some more Busch Bach
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