Alisa was on In Tune this evening. I have heard her before [in Joseph Hallman's concerto], but I thought her performance of Bach was rushed. Pity, as I really want to like this performer. Perhaps I should try to get a chance to listen to her Carter concerto, cw Elgar. [http://open.spotify.com/track/2VvNxMxPIGiLTrAEH3e000 ]
Alisa Weilerstein: Elgar/Carter cello concertos with Barenboim
Collapse
X
-
I have finally got round to listening to this recording of the Elgar Cello Concerto . Weilerstein has a rich dark tone that is not in anyway similar to that of Jacqueline du Pre but this is not a hair shirt performance at all . Indeed , it is a full throated romantic rendering of the concerto that those who like restrained Elgar will not like I suspect .
Barenboim accompanies expertly and with proper feeling . I imagine , that this will be a recording that is more likely to appeal to du Pre fans for its wholehearted approach than fans of very restrained accounts such as Watkins - indeed in some places there is a mittelEurope atmosphere about the interpretation that romantic in a Strauss like sense almost rather than the more singing very English du Pre/Barbirolli style.
Very occasionally in the Adagio I felt she was laying things on a bit thick but I have enjoyed it very much . It is very well played , definitely different a real ear opener for how it links Elgar in with the late romantic European tradition.
Comment
-
-
Originally posted by PJPJ View PostThis one?
I look forward to hearing it.
Comment
-
-
Originally posted by pastoralguy View PostYes. I was lucky enough to get one from an Amazon supplier back in February for a fiver! After the comparative disappointment of the Isserlis version this was a real ear opener. (Not that there was anything wrong with Isserlis, it's just a pity he got such poor support from his CONductor).
Comment
-
-
The Weilerstein Elgar really is very good indeed and is growing on me. It is , however, in my opinion much more of the full throated romantic approach of du Pre - than the self-consciously restrained like Tortelier/Boult and Watkins/Davis.
That is her real individuality - really going for it in this work but not sounding at all like a pale imitation of du Pre.
Comment
-
-
Originally posted by akiralx View PostYesterday I bought the Slatkin Elgar box which includes Starker's version. I disliked it when I first heard it a few years ago but it sounded fairly good.
My left cheek still stings with the memory of my rather earnestly telling my very first girlfriend that I was 'tepidly in love' with her, and of course the slap that ensued..
Comment
-
-
Originally posted by Tony View Post'fairly good'...
My left cheek still stings with the memory of my rather earnestly telling my very first girlfriend that I was 'tepidly in love' with her, and of course the slap that ensued..
I’m really very fond of you, he said.
I don’t like fond. It sounds like something you would tell a dog.
Give me love, or nothing.
Throw your fond in a pond, I said.
Comment
-
Comment