Originally posted by Caliban
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Elgar: Symphonies Nos 1 and 2
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Originally posted by Brassbandmaestro View PostWhat joys await!!
Listening to the Slatkin No 1 at the moment, first movement. Very good, nice deliberate pace to open and a good recording showing off some impressive punchy brass playing from the LPO
Must be a good recording - it's not suffering in comparison with the VPO/Thielemann Alpine/Rosenkav Suite disc that was on just before which is a stunner"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Brassbandmaestro View PostAh brilliant. How long agao was that recorded, Cali? I have in the last two years, worked with the LPO brass players.
This is the baby: http://www.amazon.co.uk/Elgar-Sympho...8022278&sr=1-5
The more I am hearing, the more I am realising why I bought it and kept it - it's a really cracking performance!! Real tension and pace but lyricism too, all blended and recorded brilliantly. Lovely 'grunt' in the brass and lower strings, but sweet upper strings and woodwind, nice edgy timps... Everyone was having a very good day!! (Some interesting positive reviews on that amazon page too).
In hunting for the date, I came across this interesting Wiki page about the Elgar 1 discography
http://en.wikipedia.org/wiki/Elgar_S..._1_discography"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Dare I mention Sinopoli? His first is 'interesting' but, IMHO, the 2nd is... well, kind of S..L..O..W.
Having said that, an old fiddle player in the Halle once told me that even the great Sir John could conduct this symphony very slowly if the mood took him. (Especially if he had had a strong Scotch at the interval...)
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Originally posted by pastoralguy View PostDare I mention Sinopoli? His first is 'interesting' but, IMHO, the 2nd is... well, kind of S..L..O..W.
Having said that, an old fiddle player in the Halle once told me that even the great Sir John could conduct this symphony very slowly if the mood took him. (Especially if he had had a strong Scotch at the interval...)
I dont know wether people have listened to that BBCMM cd of Sir Malcolm Sargent conducting Symp No.1? Quite impressive, given the date of it.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View Post
I dont know wether people have listened to that BBCMM cd of Sir Malcolm Sargent conducting Symp No.1? Quite impressive, given the date of it.
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Originally posted by Bryn View PostRe. your earlier question on another thread. It's on disc 12 of Volume 6 (the other items on that disc are Stravinsky's Divertimento on The Fairy's Kiss (Rozhdestvensky) and Feldman's Coptic Light (Eötvös).Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by pastoralguy View PostDare I mention Sinopoli?
The last movement of this Slatkin Elgar 1 is a knockout!!
I really think all fans of the piece who don't know it need to give it a listen!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by ahinton View PostNot wishing to spoil the fun or change the terms of reference, but what about no. 3?
As to the two wonderful real symphonies, I love both but the First is my favourite. Boult - last EMI and live Proms performances are my favourites in No. 1, though Elgar, Solti, Barbirolli (Pye), Judd and Handley are up there too. As for 2, Boult's 1940s recording and his Pye one, together with Elgar, Thompson, Handley and Slatkin are wonderful.Last edited by Pabmusic; 12-01-13, 22:57.
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Sad to say, Haitink's performance of No 1 with the Philharmonia doesn't stand up against the opposition... from the extremely lugubrious, world-weary tread of the opening, it fails to convey the light and dark, the subtleties and nuances of the piece - plus the recording, an early digital one, suffers in comparison with the excellent RCA recording for Slatkin / LPO a decade later. The final peroration goes off pretty well, though. It'll probably be a while before I listen to it again.
The Slatkin on the other hand I want to hear again, asap!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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