Originally posted by Barbirollians
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Rimsky Korsakov :Scheherazade
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Originally posted by waldhorn View PostConstantin Silvestri, Bournemouth Symphony Orchestra ( No, I'm NOT playing on it...), originally on EMI 'Studio' ... trying to compete with the much-maligned and multi-miked Decca 'Phase Four'.
A wonderful performance notable for ( among other things that were 'conductor-attributable') superb solo instrumental contributions by such as
1) Gerald Jarvis ( violin)
2) Alan Turner ( 'cello)
3) Laurence Beers ( flute)
4) Roger Winfield ( oboe)
5) Raymond Carpenter ( clarinet)
6) Eric Butt ( bassoon)
7) Nicholas Hill ( horn)
8) Rodney Senior ( trumpet)
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Originally posted by salymap View PostNames I well remember waldhorn, and Rodney Carpenter has recently celebrated his 90th birthday my 'spies' tell me.
No, like waldhorn, I was not playing on this one, but looking at that list of names, it is sad to see that all of those players are no longer alive, except for Raymond Carpenter, whose 90th birthday was this year, and I don't know about Alan Turner, who may have joined the BSO after I left - but I was always under the impression that the cello solos were played by Rowena Ramsell, who was married to Roger Winfield.
Anyway, it is a fine recording and the finale is breathtaking.
HS
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Thank you barbirollians for startimng this thread! I was thinking about doing this myself but thank you!!
One of my favourite of Russian repertoire! I have a couple of versions. The one that sticks with me is Valery Gergiev and the Marrinsky Theatre Orchestra. I dont know about the Kondrashin, but that sounds like a recording to acquire!!Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostThank you barbirollians for startimng this thread! I was thinking about doing this myself but thank you!!
One of my favourite of Russian repertoire! I have a couple of versions. The one that sticks with me is Valery Gergiev and the Marrinsky Theatre Orchestra. I dont know about the Kondrashin, but that sounds like a recording to acquire!!
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It would be very difficult to say why the Beecham has such an overwhelming effect, he seems to have been born for this music, and the performance and recording can still stun, not just in the dazzling climaxes but in the beautiful slow movement. Kondrashin does give Beecham a close run, and the Philips sound is superb.
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Originally posted by gurnemanz View PostLast summer we happened upon his grave when visiting St Peter's Church in Bournemouth. Quite close by is Mary Shelley. So many tempting boxes coming up. I'm going to be strong this year...... keep you postedOur chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Originally posted by Brassbandmaestro View PostThe one that sticks with me is Valery Gergiev and the Marrinsky Theatre Orchestra.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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