I have just realised I left out the Ancerl . A delightful very warm account .
Brahms Symphony No1
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Originally posted by Roehre View PostYes, he did (1959). And thus the way was paved for Haitink (1961-1988) (first together with Jochum 1961-1964 as co-principal conductor - the only co-principal the Concertgebouw ever had, a fact that's virtually unknown, and suppressed a bit because it meant the orchestra which was proud of always having a Dutch conductor actually did have a non-Dutch conducor at its helm. This tradition ended with Chailly as Haitink's successor in 1988)
The orchestra has always been lucky with its Brahms conductors: Mengelberg, van Beinum, Jochum, Haitink, Chailly.
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Originally posted by silvestrione View PostI don't seem to have a Toscanini in this work. Which would be the best of his?
... and in Symphony Nº 1, the Principal trombone made such a mess of that important high entry (concert A) at the beginning of the finale that he never played for the Philharmonia again and, in fact, departed to Canada, where he signed on in an army band!
HS
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Alternative, rather less jaundiced reviews of the Philharmonia recordings (made by EMI but not released at the time due to 'contractual problems') may be found on the amazon.co.uk site. The customer reviews there (plus the editorial one) rate the issue very highly, despite some minor caveats. 5 stars are awarded by all six customer reviewers.
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Originally posted by Bryn View PostAlternative, rather less jaundiced reviews ...
My wife is also a professional musician and she hears all sorts of stuff that passes me by. Her reactions are driven by what she hears, not the reputation of a recording or performer - consequently she'll be quite rude about some celebrated and well-reviewed recordings. For example, yesterday she made me switch-off the Downes recording of the Korngold Symphony - and when I replaced it with Welser-Most it was very obvious how much better the ensemble was.
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Originally posted by mathias broucek View PostWe should be careful about dissing Hornspieler. I suspect that as a professional orchestral musician his ear is better attuned to these sorts of things than most professional reviewers, let alone the gifted(?) amateurs on Amazon.
My wife is also a professional musician and she hears all sorts of stuff that passes me by. Her reactions are driven by what she hears, not the reputation of a recording or performer - consequently she'll be quite rude about some celebrated and well-reviewed recordings. For example, yesterday she made me switch-off the Downes recording of the Korngold Symphony - and when I replaced it with Welser-Most it was very obvious how much better the ensemble was.
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Originally posted by Barbirollians View PostA Brahms 1 BAL with RO or Robert Philip ( not Cowan ) would be just the ticket
Loughran? - his CfP Brahms set was highly rated when it came out but seems never to be mentioned these days. My local musical mate has to be restrained from spitting at any mention of him, and he seems to have heard him live a good few times. I've never sampled his Brahms. RO rated his 2nd too, but not 3 and 4. Can anyone explain what seems like a meteoric fall from, ahem, the podium?I keep hitting the Escape key, but I'm still here!
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