Originally posted by Barbirollians
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Vaughan Williams: The symphonies
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Originally posted by Barbirollians View PostWell who knows he does like picking notes out on the piano rather than just banging his hands on them .
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Originally posted by Barbirollians View PostI have completely fallen for VW 9 - I have been listening to Haitink's recording a lot this week it is a delightful, mysterious work like an enchanted garden .
When i get the chance I will try the boy on Dvorak 6 - any particular recording verismissimo ? I have Kertesz or Sejna !
Not sure what it's about or what it means but it brings to my mind mysterious rugged landscapes,deserts,rocks.boulders,outer space,the beginning of the world.......there I go again waffling.
Haitink hits the spot.
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Originally posted by EdgeleyRob View PostI fell in love with this symphony many years ago,it's my favourite piece of music of all.
Not sure what it's about or what it means but it brings to my mind mysterious rugged landscapes,deserts,rocks.boulders,outer space,the beginning of the world.......there I go again waffling.
Haitink hits the spot.
Back to RVW #9 - yep; no waffle in what you say, Edge and another work that doesn't seem to have received a bad recording: Haitink, Handley, Previn, Davis [Proms], and Boult's premiere recording all wonderfully elemental! And that ending ... [raises eyes to heavens to demonstrate admiration beyond words emoticon required here][FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Barbirollians View PostBarbirolli did conduct it I find from re-reading the Michael Kennedy biography . Great shame he did not record it .
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Originally posted by Eine Alpensinfonie View PostMaybe, just maybe, the 9th might have become more widely accepted in its early years of existence, had Barbirolli conducted the 1st performance (as he had for Sinfonia Antartica and no. 8) rather than Sargent. The first recording being made by Boult on Westminster rather than Decca (who had recorded 1-8 of the cycle) might have been a factor too.
I assume it is because the RPS commissioned the symphony and chose Sargent - despite of course JB having the RPS Gold Medal .
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Originally posted by ferneyhoughgeliebte View PostI thought for a moment that you meant the Dvorak #6, Edgie: a "favourite" of mine, too, but "rugged landscapes" etc didn't really fit into my experience of Tony's sunny masterpiece! (Such a good work the Dvorak #6, and practically indestructable - I've not encountered a poor performance of it. Sadly, I've never heard it Live.)
Back to RVW #9 - yep; no waffle in what you say, Edge and another work that doesn't seem to have received a bad recording: Haitink, Handley, Previn, Davis [Proms], and Boult's premiere recording all wonderfully elemental! And that ending ... [raises eyes to heavens to demonstrate admiration beyond words emoticon required here]
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