Originally posted by EdgeleyRob
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Vaughan Williams: The symphonies
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Roehre
Originally posted by EdgeleyRob View Post.....I find it difficult to put into words but his music is almost like a drug that is essential to my well-being,to the point where it's comparable to withdrawal symptoms if I go without,no other composer has such a profound effect on me.
Is this normal or am I a little bit mad ?
Anyone else affected so extremely by their favourite music ?.
suffolkcoastal Over exposure to composer & works is something that can certainly result in a lessening of interest in them, at least for me. That is why I try to avoid listening to too much R3 these days,(....)
I'm careful not to play even my favourite works too often, 5 or 6 times a year is enough. There is so much to hear and enjoy. (....)
But for me even 5 or 6 times a year is too much.
Twice or thrice is for me more than enough for works which I know well already.
An unknown work is listenend to a couple of times in a very short time, e.g. 4-6 times within 2 or 3 days. After that, it can take years before re-visiting the work again.
I have got the experience that listening to (a very big trunk of) the whole output of a composer opens new perspectives and views. For me in that respect there are two types of composers: 1. the composers whose works cause a kind of addiction (for me: Beethoven, Bach, Wagner, Sibelius, Webern, Berg, Vaughan williams) with "withdrawel symptoms" and 2. those who don't (Chopin, Mozart, Rossini, Verdi, Bruckner, Stravinsky, Tchaikovsky, Britten, Walton).
Why? Who knows?
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Originally posted by EdgeleyRob View PostIs this normal
or am I a little bit mad?
Anyone else affected so extremely by their favourite music ?.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Beef Oven
Originally posted by EdgeleyRob View PostI know what you mean by matching any mood Pab.
I've mentioned before I can't' go for more than 3 or 4 days without listening to Vaughan Williams.
I find it difficult to put into words but his music is almost like a drug that is essential to my well-being,to the point where it's comparable to withdrawal symptoms if I go without,no other composer has such a profound effect on me.
Is this normal or am I a little bit mad ?
Anyone else affected so extremely by their favourite music ?.
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I am very pleased to own both the Haitink and Handley
Barbirolliis unmatched in his first recordings of 2 and 5 and his 8th . His Antarctica is pretty marvellous too.
Previn's 5 is superb .Elder's No 2 a delight.
Boult's 1950s Sea Symphony and very early No 6 I love - and RVW's own No 4 is miles in front of any other .Last edited by Barbirollians; 01-01-13, 12:55.
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I agree wholeheartedly, Barbi - and I'm glad you mentioned Elder: I have had great problems with this conductor's work in the past and when an excerpt from his London was played on Seedy Review I was determined to find the usual faults in his interpretation. Instead, I was absolutely transfixed by the beauty of the playing and the excellence of the conducting. Definitely one to include in the Pantheon![FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by EdgeleyRob View PostI know what you mean by matching any mood Pab.
I've mentioned before I can't' go for more than 3 or 4 days without listening to Vaughan Williams.
I find it difficult to put into words but his music is almost like a drug that is essential to my well-being,to the point where it's comparable to withdrawal symptoms if I go without,no other composer has such a profound effect on me.
Is this normal or am I a little bit mad ?
Anyone else affected so extremely by their favourite music ?.
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RVWs later symphonies, nos7(Sinf Antartica) 8 and 9, havnt been mentioned very ,uch. I would like to know more what people think of these. of which the 7th is my favourite. I seem to be diofferent to yoiu guys that do not seem keen on Sir Andrew Davis interpreter. But to me and a friend of mine, we seem to thinbk he is the bees knees here. I have heard Boult, Haitink and Previn(in no.4), and love these recordings, but wioth the later symphonies, i dont think we have discussed much here!?!?Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostRVWs later symphonies, nos7(Sinf Antartica) 8 and 9, havnt been mentioned very ,uch. I would like to know more what people think of these. of which the 7th is my favourite. I seem to be diofferent to yoiu guys that do not seem keen on Sir Andrew Davis interpreter. But to me and a friend of mine, we seem to thinbk he is the bees knees here. I have heard Boult, Haitink and Previn(in no.4), and love these recordings, but wioth the later symphonies, i dont think we have discussed much here!?!?
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The Sinfonia antartica was the first Symphony by RVW that I ever heard - I was about 14 at the time, and was instantly hooked by its chilly, strange harmonic/melodic sound. I've been a fan ever since, and was most put out to read that most critics didn't value it much at the time. The early Boult was the recording I first heard (with Ralph Richardson reading the texts) but Haitink is my current favourite recording: I was deeply impressed that he began his RVW cycle with this work (indeed, for what seemed like a long time it was the only RVW he recorded) - as if he was gently pointing out to the critics that one was what they sat on, the other was what they bent to clean their teeth.
The Ninth is also a favourite - the old man still venturing into new ways of writing; not farewell, but fare forward! Handley for me here but Previn, Haitink and Davis at the Proms are equally astonishing in their different ways.
The Eighth is a stumbling block for me: I've never got into the sound world - impressive as I find many individual moments, it doesn't hang together for me. YET!
Originally posted by Brassbandmaestro View PostI seem to be diofferent to yoiu guys that do not seem keen on Sir Andrew Davis interpreter. But to me and a friend of mine, we seem to thinbk he is the bees knees here.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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