Originally posted by vinteuil
View Post
The discussion is whether Clements rightly or less so does dissess Mahler 5 as "not hanging together". Based on the evidence of the genesis of the work (sketching, the re-scorings, circumstantial evidence) there is some truth in this, and -as I wrote already- the composer was well aware of this.
Does this disqualify the symphony's qualities?
By no means.
Comment