Originally posted by Stunsworth
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Mozart :Piano Concertos K466 & 595 - Pires/Abbado and Orchestra Mozart
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re #29
I think that not having to worry about what the orchestra need to be told frees the soloist to concentrate on her/his part in the proceedings. Any views from our orchestra players and soloists?
and all of the superb Peter Serkin set of the 1784 concertos conducted by Schneider.
Perahia's overall keyboard style may be thought of as more 'Mozartian' than Barenboim's, ( if restraint, elegance and delicacy are indeed Mozartean).
Perahia's direction of the orchestra seemed to be more of a distraction from his piano playing than did Barenboim's.
DB was totally at ease, performing both roles with his customary charisma.
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Originally posted by waldhorn View Postre #29
I had the good fortune to play in maybe 7 or 8 of the Barenboim recordings, all of the Perahia, maybe 5 or 6 of Ucida/ Tate
and all of the superb Peter Serkin set of the 1784 concertos conducted by Schneider.
Although Perahia's overall keyboard style may be thought of as more 'Mozartian' than Barenboim's, ( if restraint, elegance and delicacy are indeed Mozartean) Perahia's direction of the orchestra seemed to be more of a distraction from his piano playing than did Barenboim's.
DB was totally at ease, performing both roles with his customary charisma.
fascinating, waldo.
Did you form a view about Uchida?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by salymap View PostI like my Barenboim box. After all as a chamber music player he is used to 'looking out for the others' if that non-musical expression is allowed. If he could keep up with Jackie an orchestra should be easy.
Originally posted by salymap View PostI don't know how you get anything else done when you have so many recordings of one work.
I don't listen all the time. It's just that when one goes into a Mozart PC 'phase', it's nice to have some options on the shelf that are the product of careful listening & selection, maybe years earlier!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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amateur51
Does anyone have experience/opinions of the Andras Schiff/Sandor Vegh/Salzburg Camerata performances?
Did you perform on any of these, waldhorn?
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amateur51
Originally posted by waldhorn View Postre #29
I had the good fortune to play in maybe 7 or 8 of the Barenboim recordings, all of the Perahia, maybe 5 or 6 of Uchida/ Tate
and all of the superb Peter Serkin set of the 1784 concertos conducted by Schneider.
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New release, brilliant IRR review (excellent Burton-Page)...
Concertos 17 and 22 - Bezuidenhout, Mullejans, Freiburg Barockorchester on HM. Startlingly dynamic & transparent, rapid and radical, tenderly beautiful in slow movements. (The trilling Starling of a Fortepiano is by Paul McNulty in 2009, after an 1805 Viennese Walter).
Stunning disc!
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Thropplenoggin
Originally posted by jayne lee wilson View PostNew release, brilliant IRR review (excellent Burton-Page)...
Concertos 17 and 22 - Bezuidenhout, Mullejans, Freiburg Barockorchester on HM. Startlingly dynamic & transparent, rapid and radical, tenderly beautiful in slow movements. (The trilling Starling of a Fortepiano is by Paul McNulty in 2009, after an 1805 Viennese Walter).
Stunning disc!
I'd also be curious to hear how anyone has got on with Brautigam's new Mozart HIP concerto disc - 17 and 26 - on BIS.Last edited by Guest; 10-12-12, 10:14.
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Originally posted by amateur51 View PostDoes anyone have experience/opinions of the Andras Schiff/Sandor Vegh/Salzburg Camerata performances?
Did you perform on any of these, waldhorn?
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