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  • DoctorT

    #31
    Originally posted by Caliban View Post
    I suppose he means having a cup of tea as opposed to listening to the radio - given your antipathy to piano-based Bach.

    Though why DoctorT believes tea-drinking and radio-listening can't happen at the same time escapes me...

    Indeed! More of a coffee man myself, actually. Go on Waldhorn, give it a listen...

    Comment

    • vinteuil
      Full Member
      • Nov 2010
      • 13030

      #32
      ... well - this Schiff I certainly enjoyed more than his previous [1984/1985] recording.

      (and it is of course miles better than the namby-pamby Hewitt.)

      But still - when there are so many fine harpsichord recordings...

      Comment

      • Nick Armstrong
        Host
        • Nov 2010
        • 26598

        #33
        Originally posted by vinteuil View Post
        (and it is of course miles better than the namby-pamby Hewitt.)
        I've been too reticent to criticise St Angela .... but I have never enjoyed her playing either.
        "...the isle is full of noises,
        Sounds and sweet airs, that give delight and hurt not.
        Sometimes a thousand twangling instruments
        Will hum about mine ears, and sometime voices..."

        Comment

        • ferneyhoughgeliebte
          Gone fishin'
          • Sep 2011
          • 30163

          #34
          Originally posted by amateur51 View Post
          What a marvellous albeit idiosyncratic service


          Hope the newer, better hearing aids are strutting their splendid stuff for you very soon, ammie!
          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

          Comment

          • ferneyhoughgeliebte
            Gone fishin'
            • Sep 2011
            • 30163

            #35
            I knew there was something else!

            Originally posted by amateur51 View Post
            According to Presto's blurb: "In an interesting variation in performance practice, Konstantin Lifschitz combines the two books of the Well-Tempered Clavier by following each prelude and fugue from Book I with the corresponding prelude and fugue from Book II, thus keeping the key signatures together and creating a steady progression through the scale to the end of the series"

            Am I alone in being surprised and intrigued by this?
            No, you're not! It sounds like a Heston Blumenthal recipe: seems revolting when you first hear about it, then so intriguing you want to try it! It might just work, but I imagine it'll be very odd not hearing the c minor Preludes following the C major Fugues.
            [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

            Comment

            • Flay
              Full Member
              • Mar 2007
              • 5795

              #36
              Originally posted by amateur51 View Post
              ...send me a form which I should take to my GP who would sign it and then fax it back to the hospital...
              Your GP might want to save some money and refuse to sign it. The government want to give us more control of the purse strings....
              Pacta sunt servanda !!!

              Comment

              • VodkaDilc

                #37
                Originally posted by Thropplenoggin View Post
                The sound quality on the Fellner YouTube video is a bit ropey. I have found this often happens with uploads - I expect people try to tweak the levels and boost the volume. I would hope the ECM disc is much higher quality.
                ECM CDs are mostly excellent. I've just received Lubimov's discs of the Debussy Preludes, played on a 1925 Bechstein and a 1913 Steinway. It received good reviews, so I'm looking forward to exploring the set.

                Comment

                • Thropplenoggin

                  #38
                  If, like me, you long believed yourself to be allergic to harpsichords, I would recommend giving Luc Beausejour's Book One a try on Naxos. I've been enjoying it so much on Qobuz that I just ordered it for the bargain price of £1 from the Amazon Marketplace.

                  A lovely sound and delightful playing. His Goldberg Variations are equally warm-toned and not at all skeletally plinkified.

                  Comment

                  • MickyD
                    Full Member
                    • Nov 2010
                    • 4866

                    #39
                    Another recommendation for harpsichordphobes from me would be the latest release from Christophe Rousset of pièces de claveçin by Duphly. The instrument (Christian Kroll), the music and the playing are gorgeous.

                    Comment

                    • Pianorak
                      Full Member
                      • Nov 2010
                      • 3128

                      #40
                      Originally posted by Thropplenoggin View Post
                      If, like me, you long believed yourself to be allergic to harpsichords, I would recommend giving Luc Beausejour's Book One a try on Naxos. I've been enjoying it so much on Qobuz that I just ordered it for the bargain price of £1 from the Amazon Marketplace.

                      A lovely sound and delightful playing. His Goldberg Variations are equally warm-toned and not at all skeletally plinkified.
                      Thanks for that. I really must try and overcome my allergies; not too much of a hardship at that price!
                      My life, each morning when I dress, is four and twenty hours less. (J Richardson)

                      Comment

                      • John Shelton

                        #41
                        Originally posted by MickyD View Post
                        Another recommendation for harpsichordphobes from me would be the latest release from Christophe Rousset of pièces de claveçin by Duphly. The instrument (Christian Kroll), the music and the playing are gorgeous.
                        Christophe Rousset's new(ish) Louis Couperin discs are miraculous in playing, sumptuous in sound (harpsichord Louis Denis 1658 restored by Reinhard von Nagel 2004-5) http://www.prestoclassical.co.uk/r/A...5C3%25A9/AP006

                        Also recent Benjamin Alard playing the 6 harpsichord partitas on an Anthony Sidey harpsichord should change some minds http://www.prestoclassical.co.uk/sea...+bach+partitas

                        Comment

                        • Barbirollians
                          Full Member
                          • Nov 2010
                          • 11833

                          #42
                          Originally posted by Tony View Post
                          Why on earth do you want to have a recording of an important body of works, played on an instrument that JS Bach would not have recognised?
                          When they are played by Edwin Fischer . A legendary recording that lives up to its status.

                          Comment

                          • silvestrione
                            Full Member
                            • Jan 2011
                            • 1734

                            #43
                            I heard on Essential Classics while in the car a couple of weeks ago a Gary Cooper (I think...it was near noon though) on harpsichord playing the D Major from Bk 1, with delightful freedom and character, I thought. Anyone know this player and his recordings?

                            Comment

                            • Richard Tarleton

                              #44
                              Originally posted by silvestrione View Post
                              I heard on Essential Classics while in the car a couple of weeks ago a Gary Cooper (I think...it was near noon though) on harpsichord playing the D Major from Bk 1, with delightful freedom and character, I thought. Anyone know this player and his recordings?


                              Yes indeed - among his many accomplishments, Rachel Podger's partner on her excellent complete Mozart keyboard and violin sonatas on Channel Classics.

                              Comment

                              • Bryn
                                Banned
                                • Mar 2007
                                • 24688

                                #45
                                Originally posted by silvestrione View Post
                                I heard on Essential Classics while in the car a couple of weeks ago a Gary Cooper (I think...it was near noon though) on harpsichord playing the D Major from Bk 1, with delightful freedom and character, I thought. Anyone know this player and his recordings?
                                I have his Beethoven Op. 120 and find it much to my taste. I do not (yet) know his 48. Anybody here know what tuning he used?

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