Post Mozart Treat (for some…)

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  • doversoul1
    Ex Member
    • Dec 2010
    • 7132

    Post Mozart Treat (for some…)

    CD Review
    1040
    Andrew talks to counter-tenor Andreas Scholl about his new disc of music by Henry Purcell

    (I did say ‘for some’)
  • Mr Pee
    Full Member
    • Nov 2010
    • 3285

    #2
    Lovely.
    Patriotism is supporting your country all the time, and your government when it deserves it.

    Mark Twain.

    Comment

    • Parry1912
      Full Member
      • Nov 2010
      • 963

      #3
      Originally posted by doversoul View Post
      Andrew talks to counter-tenor Andreas Scholl
      As long as he only talks (not sings) back!

      Sorry.
      Del boy: “Get in, get out, don’t look back. That’s my motto!”

      Comment

      • doversoul1
        Ex Member
        • Dec 2010
        • 7132

        #4
        Originally posted by Parry1912 View Post
        As long as he only talks (not sings) back!

        Sorry.
        So you prefer solo to duet?

        Comment

        • Flosshilde
          Full Member
          • Nov 2010
          • 7988

          #5
          Originally posted by doversoul View Post
          So you prefer solo to duet?
          & talking of duets - was he duetting with himself in 'Sound the Trumpets'? - I missed the introduction. He's OK, but not my favourite CT, & I think two of him would be too much.

          Comment

          • doversoul1
            Ex Member
            • Dec 2010
            • 7132

            #6
            Flosshilde
            No, it was an honest (?) duet. The track played was Sound the trumpet (as you might have guessed) which, I don’t think would work with one voice. Interestingly, AS did this a couple of (a few?) years ago at his concert (this was broadcast on Radio3 then why not…) with James Bowman. Then he (AS) was the higher/younger one. I’m not familiar with this countertenor but he sounded slightly like Jaroussky in that his voice was less like falsetto.

            AS made an interesting comment about use of high male voice for heroic roles in Handel’s opera. He said something about ‘transcending gender’. I am not too convinced that the London audience then ever had such a modern concept. He talked about marketing and record companies and things too. It was an interesting interview.

            Andras Scholl, Christophe Dumaux (countertenors) / Academia Bizantina / Stefano Montanari (conductor)

            Comment

            • Flosshilde
              Full Member
              • Nov 2010
              • 7988

              #7
              Thanks Doversoul - I agree, it wouldn't work with one voice, it needs two different voices, but I thought it was on the same CD that had 'Dido's Lament', & if he thinks it's OK for him to do that I wouldn't put it past him to duet with himself

              Comment

              • doversoul1
                Ex Member
                • Dec 2010
                • 7132

                #8
                Flosshilde
                Re: 'Dido's Lament'
                The idea itself doesn’t bother me too much. I find harder to listen to Winterreise sung in (some) female voice. However, Andreas Scholl sounded rather like helden-countertenor here which I didn’t feel quite right for the song. I imagine Iestyn Davies would have made a better job.

                Comment

                • Flosshilde
                  Full Member
                  • Nov 2010
                  • 7988

                  #9
                  I just checked the lyrics to see if there was anything gender-specific about why Dido is in such a state (which would make it unsuitable for AS in particular ) but there isn't - so it could be sung by a bass.

                  However, I really don't think I want to hear it sung by Hayley Westenra - http://www.sing365.com/music/lyric.n...2570AF00114C78

                  Comment

                  • doversoul1
                    Ex Member
                    • Dec 2010
                    • 7132

                    #10
                    Originally posted by Flosshilde View Post
                    I just checked the lyrics to see if there was anything gender-specific about why Dido is in such a state (which would make it unsuitable for AS in particular ) but there isn't - so it could be sung by a bass.

                    However, I really don't think I want to hear it sung by Hayley Westenra - http://www.sing365.com/music/lyric.n...2570AF00114C78
                    That’s what he keeps telling the world. Not yet about a bass though.

                    Re:Hayley who-ever

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