What a pleasurable and interesting interview this morning with Roderick Williams on CD Review. Quite clearly a delightful bloke and one of the very few singers anywhere I could listen to for hours on end.
Roderick Williams
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Originally posted by Caliban View PostWhat a pleasurable and interesting interview this morning with Roderick Williams on CD Review. Quite clearly a delightful bloke and one of the very few singers anywhere I could listen to for hours on end.
I keep hitting the Escape key, but I'm still here!
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I agree about the CD Review interview.
He also gave two concerts and a masterclass at the Carducci Quartet's festival in Highnam in May - I heard him sing Barber's Dover Beach with the Carduccis, as well as some Finzi songs. The introductions he provided were excellent, too - informed and witty.
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I went to a performance at Worth /Abbey of JSBs St Matthew Passion, just before he hit it big time! Very good he was to.
I have quite a few of his recordings(one of which i am playing at the time of writing).
He is a fine exponent of the English Song, eg in Finzi's songs on Naxos.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Northender
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Stephen Smith
At the time, I felt and a critic said he had given the performance of his life as Pilgrim, (RVW Pilgrims Progress) under the late Richard Hickox at Sadlers Wells. It was very moving, he gave everything to the part - Oh to be able to see that again (and for the ENO autumn performances to be as successful). A true artist, and good to see he is widely appreciated
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Originally posted by Stephen Smith View PostAt the time, I felt and a critic said he had given the performance of his life as Pilgrim, (RVW Pilgrims Progress) under the late Richard Hickox at Sadlers Wells. It was very moving, he gave everything to the part - Oh to be able to see that again (and for the ENO autumn performances to be as successful). A true artist, and good to see he is widely appreciated
Was no recording made of that Sadlers Wells show?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Stephen Smith
Recording - I don't think so. It was semi-staged, effective for the live audience, but given that for 2 performances it cannot have been viable to stage it, I imagine a visual recording was not attractive (and I didn't see any mikes for audio).
Hickox of course made the Chandos recording. As a work, its possible to take it apart and denigrate it, but I don't care, for me it contains the essence of RVW, with its composition spanning much of his life before finishing it.
I spoke (briefly) to Tony Palmer after a talk prior to a "Riders to the Sea" performance at ENO shortly after Hickox died, and he told me that the prime mover behind the P Progress performances at Sadlers Wells was the producer Tony Edwards. So with Hickox gone, there is at least one other principal advocate of this work than the RVW society/estate.
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