Great Recordings of 20th C?

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  • mathias broucek
    Full Member
    • Nov 2010
    • 1303

    #16
    Originally posted by Roehre View Post
    All of these recordings stem from exactly 5 (=five) recording companies.
    I cannot imagine that the greatest recordings of the 20th C were all made by these (though many obviously are)
    One of the great difficulties here is around availability. Posters who have already attempted lists (and published lists in magazines etc) have tended to go for mainstream, well-known and widely available recordings. This is understandable from a practical perspective and there is (often but not always) a reason such recordings are well-known.

    However there is some interesting material that is unofficial and/or hard-to-find. For example there are live Carlos Kleiber discs that - for me at least - trump the better-known DG versions of the same works. However finding them can involve good luck and/or silly money.

    Even amongst official material it's hard for smaller labels to get noticed. For example, I and others find Jochum's 1986 RCO Bruckner 5 on Tahrato be one of THE great Bruckner recordings but it's much less well known than Bruckner recordings from Karajan/DG, Bohm/Decca etc.

    And then even on the "major" labels, there are Cinderella recordings - for example the Jochum/LPO and Celi/MPO Brahms cycles on EMI are stunningly good yet not in wide circulation.

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    • silvestrione
      Full Member
      • Jan 2011
      • 1708

      #17
      Yes with my list I tried for 20 recordings where there would be a wide measure of agreement. Towards the bottom they are probably more debatable. I excluded, as not in the category we were dealing with, off-air recordings put onto CD much later. I do prefer the live Kleiber in everything except the sound!

      If these performances you mention are really that good, some of the greatest ever, why are they not in wide circulation? The criterion used at the start of the thread (never out of the catalogue) is relevant here, though only as one factor of course.
      Last edited by silvestrione; 09-05-12, 19:49.

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      • mathias broucek
        Full Member
        • Nov 2010
        • 1303

        #18
        Originally posted by silvestrione View Post
        If these performances you mention are really that good, some of the greatest ever, why are they not in wide circulation? The criterion used at the start of the thread (never out of the catalogue) is relevant here, though only as one factor of course.
        I'd forgotten the "never out of the catalogue" criterion.

        The Jochum Tahra isn't that famous because the label is less well-known, it was out of the catalogue for a time, it's not that cheap and there are alternatives from EMI and DG which are stronger brands. There may also be confusion with his 1964 RCO recording (good, but less good!). The Tahra was v well reviewed (for example http://www.musicweb-international.co...bruch5joch.htm ) but Grammo only gave it 3/4 of a (positive) column.

        The Jochum EMI Brahms was well-received at the time and widely available on Eminence. On CD it's been sporadically available and the downloads are horribly over-priced.

        The Munich/Celi Brahms originally came in a very expensive (£100+ boxed set). Grammophone paid little attention and reivews were mixed. The "narrative" about the EMI/Munich material became about some extremely beautiful but very slow performances (Tchaik 6, La Mer, Concerto for Orchestra) and the Bruckner. It later became possible to get "towfers" of Brahms 1 + Requiem and 2-4 (the latter being the one to go for IMHO) but these were not easy to find in the shops. It's now available for £25-30 in a large boxed set with Beethoven, Mozart, Haydn, Schumann etc. which is worth buying just for the Beethoven 2, Brahms 4 and Haydn 92! See Musicweb for some comments on the Brahms http://www.musicweb-international.co...ibeethoven.htm

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        • silvestrione
          Full Member
          • Jan 2011
          • 1708

          #19
          Hmmm...thoughtful reviews, thanks for those links.

          I remember when Celi was suddenly invited to conduct again in London (LSO? or LPO? not sure) it was on R3 and the first item was Verdi's Force of Destiny overture, and I was almost exhausted just by the end of that! Must have been, because I can't remember what was on the rest of the preogramme.

          Back to the thread: not sure Celi can qualify at all...he didn't believe in recordings, and didn't make any! (Or perhaps there were some early ones?)

          Comment

          • umslopogaas
            Full Member
            • Nov 2010
            • 1977

            #20
            #19 silvestrione, Celibidache did make at least two recordings. I've got one, it is from very early in the LP era, Decca LXT 2558, he conducts the LPO in Mozart symphony 25, with Bohm conducting the VPO in symphony 36 on the other side.

            According to Norman Lebrecht ('Maestros, Masterpieces and Madness'), "Sergiu Celibidache, who deputised in Berlin during Furtwangler's denazification, found Decca so uncongenial that, after a Tchaikovsky Fifth with the London Philharmonic, he refused to make another sound recording so long as he lived."

            Sounds as if we have to blame Decca, but I wouldnt be too harsh, they gave us many splendid recordings.

            And Lebrecht is not correct: the Tchaikovsky Fifth was issued just before the Mozart and has the number LXT 2545, so Decca did get one more recording out of him.

            Comment

            • Gordon
              Full Member
              • Nov 2010
              • 1425

              #21
              Thanks to all for their contributions, fascinating. I have tried to make a list and have failed miserably to agree with myself!!

              Originally posted by umslopogaas View Post
              #19 silvestrione, Celibidache did make at least two recordings. I've got one, it is from very early in the LP era, Decca LXT 2558, he conducts the LPO in Mozart symphony 25, with Bohm conducting the VPO in symphony 36 on the other side.

              According to Norman Lebrecht ('Maestros, Masterpieces and Madness'), "Sergiu Celibidache, who deputised in Berlin during Furtwangler's denazification, found Decca so uncongenial that, after a Tchaikovsky Fifth with the London Philharmonic, he refused to make another sound recording so long as he lived."

              Sounds as if we have to blame Decca, but I wouldnt be too harsh, they gave us many splendid recordings.

              And Lebrecht is not correct: the Tchaikovsky Fifth was issued just before the Mozart and has the number LXT 2545, so Decca did get one more recording out of him.
              Here is the Decca discography data for Celi: he made only a few records for them in London, possibly related to concert dates. The falling out with Decca, if there was one, might just as well been about rehearsal time, he was very demanding. The three records he did make with the LPO [all available on a Membran 10CD set of Celi] were made between April 1948 and July 1949 with quite a few remakes. The Nutcracker wasn't issued on 78 or LP, it seems, perhaps again because he was so fussy. I suspect that Decca was fed up as well! Note that the eartlier LP catalogue number was issued after the later one but the 78s were the reverse!

              Pr: Victor Olof Eng: Kenneth Wilkinson
              9 Apr, four sides [12170-73] re-made 29 Dec 1948 Kingsway Hall
              London Philharmonic Orchestra, Sergiu Celibidache
              MOZART Symphony No.25 in G minor K183 AR12170-75
              (Jly49) AK2197-99; (Dec49) T5141-43 = LA97,
              (Jan51) LXT2558; (Jly51) LLP88, (Jun01) Urania URN22162.

              Pr: Victor Olof Eng: Kenneth Wilkinson
              5,6&9 Jly 1948 Kingsway Hall
              London Philharmonic Orchestra, Sergiu Celibidache
              TCHAIKOVSKY Symphony No.5 in E minor Op.64 AR12485-96
              (Jan49) AK2036-41; (c50) T5319-24 = LA136,
              (May51) LXT2545; (Apr51) LLP168, (Nov90) 425 958.2DM.

              Pr: Victor Olof Eng: Kenneth Wilkinson
              28-29 Dec 1948 Kingsway Hall
              three sides [13115/17/18] re-made 23 Jly 1949
              London Philharmonic Orchestra, Sergiu Celibidache
              TCHAIKOVSKY The Nutcracker : suite Op.71a AR13113-18
              Unpublished on 78rpm: (nr ’49) AK2148-50; T5094-96 = LA86
              and (nr Jun49) LPS117, advertised but evidently withdrawn
              for the re-makes, which eventually appeared as
              (Jly79) ECM836, (Nov90) 425 958.2DM.

              Comment

              • silvestrione
                Full Member
                • Jan 2011
                • 1708

                #22
                Originally posted by vinteuil View Post
                [I]

                Richter for Bach - vade retro, Satanas!
                Careful Vinteuil: you know enthusiasts of HIPP are sometimes accused of dogma and fanaticism! A playful comment no doubt, but susceptible to a Freudian interpretation.

                Comment

                • silvestrione
                  Full Member
                  • Jan 2011
                  • 1708

                  #23
                  Thanks for that fascinating info, Gordon

                  Comment

                  • martin_opera

                    #24
                    Could easily just do operas:

                    Bluebeard's Castle - Kertsz
                    Carmen - Abbado
                    Fidelio - Bernstein
                    Norma - Serafin (1963)
                    I Puritani - Bonynge
                    Gloriana - Mackerras
                    Lucia di Lammermoor - Serafin
                    Merry Widow - Gardiner
                    Cosi Fan Tutte - von Karajan
                    Don Giovanni - Giulini
                    Figaro - Jacobs
                    Zauberflote - Christie
                    Boheme - von Karajan
                    Butterfly - Barbirolli
                    Tosca - De Sebata
                    Turandot - Mehta
                    L'Italiana in Algieri - Abbado
                    Il Barbiere di Siviglia - Marriner
                    Der Rosenkavalier - Solti
                    Salome - Sinopoli
                    Aida - Muti
                    Ballo - Davis
                    Don Carlo - von Karajan
                    Falstaff - von Karajan
                    Traviata - Kleiber
                    Ring - Solti
                    Tristan - Bernstein

                    ...oh hang on...

                    Comment

                    • makropulos
                      Full Member
                      • Nov 2010
                      • 1674

                      #25
                      Originally posted by martin_opera View Post
                      Could easily just do operas:

                      Bluebeard's Castle - Kertsz
                      Carmen - Abbado
                      Fidelio - Bernstein
                      Norma - Serafin (1963)
                      I Puritani - Bonynge
                      Gloriana - Mackerras
                      Lucia di Lammermoor - Serafin
                      Merry Widow - Gardiner
                      Cosi Fan Tutte - von Karajan
                      Don Giovanni - Giulini
                      Figaro - Jacobs
                      Zauberflote - Christie
                      Boheme - von Karajan
                      Butterfly - Barbirolli
                      Tosca - De Sebata
                      Turandot - Mehta
                      L'Italiana in Algieri - Abbado
                      Il Barbiere di Siviglia - Marriner
                      Der Rosenkavalier - Solti
                      Salome - Sinopoli
                      Aida - Muti
                      Ballo - Davis
                      Don Carlo - von Karajan
                      Falstaff - von Karajan
                      Traviata - Kleiber
                      Ring - Solti
                      Tristan - Bernstein

                      ...oh hang on...
                      What a nice idea, and a very nice list. But yes, it runs into the same sort of trouble. I tried limiting it just to operas composed in the 20th century, and it's still ridiculous...here are 20 anyway. But what's missing is pretty startling:

                      Bartók - Bluebeard's Castle (Kertész, Decca)
                      Britten - Billy Budd (Britten, Decca)
                      Britten - Gloriana (Mackerras, Decca)
                      Delius - Village Romeo and Juliet (Meredith Davies, EMI)
                      Dvorak - Rusalka (Chalabala, Supraphon)
                      Janacek - Katya (Mackerras, Decca)
                      Janacek - Makropulos Affair (Mackerras, Decca)
                      Janacek - From the House of the Dead (Mackerras, Decca)
                      Janacek - Cunning Little Vixen (Gregor, Supraphon)
                      Janacek - Fate [Osud] (Mackerras, EMI/Chandos)
                      Lehár - Lustige Witwe (Matacic, EMI)
                      Poulenc - Dialogues des Carmélites (Dervaux, EMI)
                      Poulenc - Mamelles de Tirésias (Cluytens, EMI)
                      Prokofiev - War and Peace (Lloyd-Jones, ENO, Oriel Music Trust, or Melik-Pashayev, Melodiya)
                      Puccini - Turandot (Leinsdorf, RCA or Mehta, Decca)
                      Rimsky - Golden Cockerel (Svetlanov, Melodiya)
                      Strauss - Ariadne (Kempe, EMI)
                      Strauss - Elektra (Böhm, DG DVD)
                      Strauss - Rosenkavalier (Erich Kleiber, Decca, or Solti, Decca, or Carlos Kleiber, DG DVD)
                      Vaughan WIlliams - Pilgrim's Progress (Boult, EMI)

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