No one's commented on this discussion, which I found an unusually interesting listen (very comfortably on Sunday morning under the duvet, Calum-style).
Andrew Manze's emergence as a conductor of much wider repertoire than one associates him with, continues with his Brahms symphonies which sounded fresh and compelling... the Dutch Beethoven 9 under De Vriend (CdS's desert island choice now, he said), Rozhdestvensky's Schumann in Estonia, and Hans Gal's Fourth...
... all were fascinating to hear, and the subject of a very cogent and balanced discussion.
The Gal extracts, I listened to 3 or 4 times - initially, the music sounds light and facile, but with relistening its appeal grows enormously.
Does anyone here know his music well?
Has anyone got and listened in full to Manze's Brahms, or to the de Vriend Beethoven? I'm on the verge of investing in the latter...
Andrew Manze's emergence as a conductor of much wider repertoire than one associates him with, continues with his Brahms symphonies which sounded fresh and compelling... the Dutch Beethoven 9 under De Vriend (CdS's desert island choice now, he said), Rozhdestvensky's Schumann in Estonia, and Hans Gal's Fourth...
... all were fascinating to hear, and the subject of a very cogent and balanced discussion.
The Gal extracts, I listened to 3 or 4 times - initially, the music sounds light and facile, but with relistening its appeal grows enormously.
Does anyone here know his music well?
Has anyone got and listened in full to Manze's Brahms, or to the de Vriend Beethoven? I'm on the verge of investing in the latter...
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