Originally posted by Barbirollians
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Elgar Violin Concerto - Boult: Which version?
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Originally posted by amateur51 View PostThe Sammons/Wood was the one I owned & got to know first...
Since those mid-70s days of school-leaving and relative poverty I've topped up with (in rough order of purchase) Zukerman/Barenboim, Chung/Solti (LP), Kennedy/Handley and Menuhin/Elgar (CD), all of them IMVHO with something to say.
Sadly, one of my worst musical might-have-beens was a 1972 prom performance by Menuhin and Boult. It just never got off the ground, and Menuhin's tuning was (un)pretty dire. The second half had VW6 - not much better to my ears, though somebody has since thought it worthy of CD release. That hasn't happened with the Elgar AFAIK!I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostSadly, one of my worst musical might-have-beens was a 1972 prom performance by Menuhin and Boult. It just never got off the ground, and Menuhin's tuning was (un)pretty dire. The second half had VW6 - not much better to my ears, though somebody has since thought it worthy of CD release. That hasn't happened with the Elgar AFAIK!
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I saw Menuhin twice towards the end of his solo career. A 1985 Beethoven concerto with the LSO and Norman del Mar ( I think it was the LSO it was at the Barbican but could have been the RPO) when he was in very good form and his 70th birthday concert with Rostropovich where he was in better form in the second half when they played the Double Concerto .
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morebritishmusicplease
I would go for the Campoli version myself - maybe because that's the version I grew up with. On a slight tangent, I came across a most fascinating performance by a Russian violinist called Dora Scharzberg, on Youtube. I think it's with the Siberian State Symphony Orchestra or something! You can view it here:
2004 A.Sakharov International Art FestivalViolin-Dora SchwarzbergConductor- Alexander Skulsky1. Allgro Part 1
They actually do make it sound quite Russian!
The New Lyricist
thenewlyricist.wordpress.com
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I've just been listening to the Menuhin Boult 1966 recording and I think it's tremendous. I've formulated a theory for which I'm ready to be shot down in flames:
Menuhin rose to greatness with his 1932 recording of the Elgar Violin Concerto under the composer's baton. He then remained one of the greatest violinist up to and including his second studio recording of the Elgar with Sir Adrian Boult. After that, his violin playing was inconsistent and he could no longer be classed as one of the great players. His greatness as a violinist began and ended with these two recordings of the same work.
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Erm - no !
He was already producing stunning performances before the 1932 Elgar and one or two rather disappointing records before the 1966. ! Indeed , there are all manner of reports of one off sensational performances after then including a Bartok 2 in Russia as late as the early 1980s as I recall . Very inconsistent by all means from the 1960s onwards bit still capable of great performances .
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Menuhin's recorded collaboration with Wilhelm Kempff on the Beethoven sonatas was IIRC in the early 1970s and there are some very fine performances in that collection (particularly the op 30 sonatas imv). I saw him in Oxford in the 1970s play the Bartok violin sonata dedicated to him, and that was a very moving performance.
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