Originally posted by AmpH
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New Brahms Recordings
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amateur51
Originally posted by ferneyhoughgeliebte View Post- the set through which I learnt these works as a impecunious fourteen-year-old; it still delights me with its insights and creative adherence to the scores.
I hope they get re-released sometime - happy days
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Originally posted by amateur51 View PostI used to work in a record department where I would occasionally be contacted by a music trade magazine, asking for our Top Ten Classical Albums. I always insisted that we chose Classics for Pleasure albums only and Loughrans' Brahms symphonies featured frequently - oh how the DGG/Decca reps hated me[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Alf-Prufrock
Originally posted by amateur51 View PostWonderful stuff I agree fhg - I used to work in a record department where I would occasionally be contacted by a music trade magazine, asking for our Top Ten Classical Albums. I always insisted that we chose Classics for Pleasure albums only and Loughran's Brahms symphonies featured frequently - oh how the DGG/Decca reps hated me :
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John Skelton
Originally posted by DublinJimbo View PostI agree with others who've complimented Jayne on her review. I'm not sure. however, that it would tempt me to add Andrew Manze's recordings to my collection.
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I must say I think the widespread praise for the Abbado set is well deserved . I only had the first 2 and have added the others recently and they are marvellously played and unerringly conducted. If I could only have one set I would say Furtwangler on EMI warts and all but this now is probably my favourite of other sets above even Boult, Barbirolli, Jochum EMI , Walter and Loughran.
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John Skelton
Originally posted by DoctorT View PostSorry! I promise not to do it again.
Here are a couple of contrasting reviews of the new Barry Douglas CD:
http://www.guardian.co.uk/music/2012...glas-cd-review
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Panjandrum
Originally posted by DoctorT View PostHere are a couple of contrasting reviews of the new Barry Douglas CD:
http://www.guardian.co.uk/music/2012...glas-cd-review
Clements seems to have an agenda all of his own, which often has little to do with an appreciation of the musical merits of the performance he is allegedly reviewing. As to the other review, it seems a lot more well balanced despite being a dismal read. Some truly appalling mixed metaphors which would shame a GCSE English class; for example, when was one's "meat" last "topped and tailed"? We also get the full range of critical cliches, from "gorgeous washes of sound", to the "multifarious strands of Brahms' dense, complex and contrapuntal writing". The only thing we didn't get was "autumnal Brahms".
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