Coda Beethoven 9 by Furtwängler
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Originally posted by Roehre View Post
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Originally posted by Chris Newman View PostSome of them are astonishing! I think I would settle for the Lucerne (Philharmonia) 1954 version.
I have most of these but am intrigued by the May 30 1953 Vienna performance claimed as newly-discovered. Is a CD trandfer available? The 1943 Stockholm account is also absent from my shelves."The sound is the handwriting of the conductor" - Bernard Haitink
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Alf-Prufrock
I am afraid I would say that the only Furtwängler performance that measures up to the Toscanini is the Lucerne one. I notice that this was with the Philharmonia, which says a lot for them. They do not pale besides the BPO and the VPO and others.
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Originally posted by Petrushka View PostSo would I. Some of them seem a mad scramble to the finishing line, the recording equipment of the day unable to cope with the tumult.
I have most of these but am intrigued by the May 30 1953 Vienna performance claimed as newly-discovered. Is a CD trandfer available? The 1943 Stockholm account is also absent from my shelves.
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Originally posted by Chris Newman View PostSome of them are astonishing! I think I would settle for the Lucerne (Philharmonia) 1954 version.
And isn't there a difference between the pre- and Wartime recordings (which leap immediately into the breathless Prestissimo) and those from after the War which have a couple of bars accelerando?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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There are moments when I wonder if Furtwangler experimented with double or even quadruple percussion. On more than one occasion I would swear I hear a Jingling-Johnny joining in for fun. Often it is a race between hugely inflated cybals and a battery of drums. I presume it was his habit of "beating" different tempi with each hand. Does anyone agree that it sounds as if he usually shuts his eyes and panics?
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Here is a full performance by a "rival" that I was lucky enough to attend. The fun thing is to watch out for which players and singers are beat-keeping for the rest. The end result was a miracle of performance.
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Originally posted by Chris Newman View PostHere is a full performance by a "rival" that I was lucky enough to attend. The fun thing is to watch out for which players and singers are beat-keeping for the rest. The end result was a miracle of performance.
http://www.youtube.com/watch?v=T0QSZjCo_IQ
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Originally posted by Chris Newman View PostAnd here is a Klemperer Prom from 1964. Much crisper. The New Philharmonia Orchestra again with a guest fiddler smuggled into the back row, Otto's comedy actor son, Werner, who was also a fine fiddler and baritone.
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Originally posted by PJPJ View Post"The sound is the handwriting of the conductor" - Bernard Haitink
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Today I listened to the April 1942 version. The background noise is so bad that it sounds as though the performers are sitting in a field full of crickets and wind-chimes, perhaps with a West Indian steel band in the distance. The actual performance, however, is every bit as good as the famous 1951 Bayreuth version.
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