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Tuneless; not immediately attractive to the ear (Hindemith's Octet is a gritty work; Britten's Cello symphony has gritty writing for the solo instrument).
Talking of cliches, whereabouts on my iMac are the acute accents ?
Is this serious? make sure you have the Language and text options turned on (check in System Preferences) so you should see a UK flag at the top right of the screen with the word "British" next to it. Then turn French or German on, and then turn on the Keyboard Viewer. You should be able to get most of the accents you normally need. If not, try Spanish, Hungarian etc. Once you've got those pesky accents remember to turn the keyboard back to British or you'll end up typing some very odd things. You can also do this with the Character viewer, accessed in a similar way.
Talking of cliches, whereabouts on my iMac are the acute accents ?
Much easier (for me) is to press
Alt-e together, then e for é
Alt-e then i works for í should you need it.
Alt-c = ç
Alt-`then e = è
Alt-`then a = à
Alt-u then e = ë
Alt-i then e = ê
etc
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
I'd always assumed this was the accepted way of expressing appreciation of performance.
What sort of thing does Mr Norris say ?
My favourite was an apparently high-flown observation about the DECISIONS a composer must make. Key? Tempo? Even whether to write in pen or pencil — 2B or not 2B?
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