This month's BBC Music Magazine has an excellent cover disc of Debussy's Martyrdom of St Sebastian, recorded last October at the Hoddinot Hall with the National Orchestra and Chorus of Wales under Thierry Fischer, with Elisabeth Atherton Jennifer Johnston and Tove Dahlberg as soloists.
This is a new edition of the work, first published in 2009.
I don't know it very well, but I do have the version with the LSO and Michael Tilson Thomas, so I decided to follow the text on his CD, as the BBC has no translation.
It proved to be difficult, as the BBC version has much more spoken French text delivered by Irene Jacob, and I soon found myself getting lost.The narrator on the Tilson Thomas is no less than Leslie Caron, but she has much less to do.
You can get a copy of the English translation from the BBC MM website, but it doesn't seem to be in a printable form, although I have not yet registered on the site.
Considering that it would not be too difficult to include it in the magazine itself.
I'm not an expert judge of the music, but it seems to me to beautifully performed with notable contributions from the soloists and choir, and the recording is superb, which makes the lack of text even more irritating. This is a botched opportunity, because this is the first recording of as complete a version of Debussy's music as we are likely to hear.
This is a new edition of the work, first published in 2009.
I don't know it very well, but I do have the version with the LSO and Michael Tilson Thomas, so I decided to follow the text on his CD, as the BBC has no translation.
It proved to be difficult, as the BBC version has much more spoken French text delivered by Irene Jacob, and I soon found myself getting lost.The narrator on the Tilson Thomas is no less than Leslie Caron, but she has much less to do.
You can get a copy of the English translation from the BBC MM website, but it doesn't seem to be in a printable form, although I have not yet registered on the site.
Considering that it would not be too difficult to include it in the magazine itself.
I'm not an expert judge of the music, but it seems to me to beautifully performed with notable contributions from the soloists and choir, and the recording is superb, which makes the lack of text even more irritating. This is a botched opportunity, because this is the first recording of as complete a version of Debussy's music as we are likely to hear.
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