Originally posted by Lordgeous
View Post
Beethoven Symphony Cycles
Collapse
X
-
-
-
I was listening through the Savall cycle over the weekend. I consistently enjoy the lighter textures and the French or perhaps Mediterranean feel of the playing. Occasionally I miss the odd moment of rich string playing, such as the slow movement of the Fourth, that one associates with the Blomstedt Dresden recording, for example. Or it would be nice to linger over some details, as Walter does in the Pastoral. One can’t have everything
Comment
-
-
Very late in the game compared to probably everyone else here, but I recently acquired a second-hand CD set of HvK's 1962 Berlin PO DG cycle, for a song at a used shop, as, believe it or no, I've actually never heard any of Karajan's 1962 DG LvB cycle. Separately I also recently acquired a pristine CD set of Norrington's LCP cycle. In both cases, I had spare trade-in credit (unloading books and/or CDs, depending on the establishment in question) to be able to take each set off each establishment's hands. I'm planning to listen to each set in sequence, Karajan first and then Norrington.
The Norrington is a special find, because the set is still shrink-wrapped. The date on it reads 1989, i.e. it truly looks like a first-generation CD EMI set. It does make wonder if that set really sat on someone's shelf unlistened-to for 32+ years. I probably should take a picture or two of the box set before I de-shrink-wrap it.
Comment
-
-
Originally posted by bluestateprommer View PostVery late in the game compared to probably everyone else here, but I recently acquired a second-hand CD set of HvK's 1962 Berlin PO DG cycle, for a song at a used shop, as, believe it or no, I've actually never heard any of Karajan's 1962 DG LvB cycle. Separately I also recently acquired a pristine CD set of Norrington's LCP cycle. In both cases, I had spare trade-in credit (unloading books and/or CDs, depending on the establishment in question) to be able to take each set off each establishment's hands. I'm planning to listen to each set in sequence, Karajan first and then Norrington.
The Norrington is a special find, because the set is still shrink-wrapped. The date on it reads 1989, i.e. it truly looks like a first-generation CD EMI set. It does make wonder if that set really sat on someone's shelf unlistened-to for 32+ years. I probably should take a picture or two of the box set before I de-shrink-wrap it.Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
Originally posted by bluestateprommer View PostVery late in the game compared to probably everyone else here, but I recently acquired a second-hand CD set of HvK's 1962 Berlin PO DG cycle, for a song at a used shop, as, believe it or no, I've actually never heard any of Karajan's 1962 DG LvB cycle. Separately I also recently acquired a pristine CD set of Norrington's LCP cycle. In both cases, I had spare trade-in credit (unloading books and/or CDs, depending on the establishment in question) to be able to take each set off each establishment's hands. I'm planning to listen to each set in sequence, Karajan first and then Norrington.
The Norrington is a special find, because the set is still shrink-wrapped. The date on it reads 1989, i.e. it truly looks like a first-generation CD EMI set. It does make wonder if that set really sat on someone's shelf unlistened-to for 32+ years. I probably should take a picture or two of the box set before I de-shrink-wrap it.
The unopened Norrington reminds me of a time that I was shopping for lps around 15 years ago. As a student I worked in a store called Liberty Records that prided itself on having in stock every lp in print. It had undergone name changes in the interim but some of the old employees still worked there. At the time I was on a mission to find a 1960s recording of Beethoven’s Archduke Trio by the Suk Trio. It had been issued in the States by the long defunct Quintessance label and I had remembered stocking it on the shelves. I found it in the shrink wrap at the price that it would have sold for back in the day
Comment
-
-
Originally posted by richardfinegold View PostIt should be a study in contrasts.
The unopened Norrington reminds me of a time that I was shopping for lps around 15 years ago. As a student I worked in a store called Liberty Records that prided itself on having in stock every lp in print. It had undergone name changes in the interim but some of the old employees still worked there. At the time I was on a mission to find a 1960s recording of Beethoven’s Archduke Trio by the Suk Trio. It had been issued in the States by the long defunct Quintessance label and I had remembered stocking it on the shelves. I found it in the shrink wrap at the price that it would have sold for back in the day
Comment
-
-
Originally posted by richardfinegold View PostThe analogue one. It had to have been analogue as this was around 1977.
January 1971: Using NHK's experimental PCM recording system, Dr. Takeaki Anazawa, an engineer at Denon, records the world's first commercial digital recordings, The World Of Stomu Yamash'ta 1 & 2 by Stomu Yamash'ta (January 11, 1971)[3] and Something by Steve Marcus & Jiro Inagaki (January 25, 1971). Both had to be recorded live, without edits. Marcus is released first (in February 1972), making it the first released digital recording. On January 27 Yamash'ta records Metempsychosis in the Nippon Columbia studio, Tokyo, with percussion and a brass section.
from: https://en.wikipedia.org/wiki/Digital_recording
Comment
-
-
Originally posted by Bryn View PostDenon were making fairly frequent digital recordings by 1975. I recall my excitement at finding Yuji Takahashi's stereo recording (issued initially on LP) of Cage's Sonatas and Interludes at Steve's Sounds. This was an early digital recording made in 1975 and released in 1976. That was by no means the first, not the first, either:
January 1971: Using NHK's experimental PCM recording system, Dr. Takeaki Anazawa, an engineer at Denon, records the world's first commercial digital recordings, The World Of Stomu Yamash'ta 1 & 2 by Stomu Yamash'ta (January 11, 1971)[3] and Something by Steve Marcus & Jiro Inagaki (January 25, 1971). Both had to be recorded live, without edits. Marcus is released first (in February 1972), making it the first released digital recording. On January 27 Yamash'ta records Metempsychosis in the Nippon Columbia studio, Tokyo, with percussion and a brass section.
Comment
-
-
Originally posted by richardfinegold View PostI was listening through the Savall cycle over the weekend. I consistently enjoy the lighter textures and the French or perhaps Mediterranean feel of the playing. Occasionally I miss the odd moment of rich string playing, such as the slow movement of the Fourth, that one associates with the Blomstedt Dresden recording, for example. Or it would be nice to linger over some details, as Walter does in the Pastoral. One can’t have everything
Comment
-
Comment