Originally posted by Barbirollians
View Post
Britten's War Requiem
Collapse
X
-
Norfolk Born
-
Biffo
Vaughan Williams conducting 'Dona nobis pacem' and the 5th Symphony has been released on the Somm label (SOMMCD071).
Everyone's responses are different; Bliss' Morning Heroes completely failed to move me but VW and Britten do. Another WW1 related work is Gerald Finzi's Requiem da camera, a short moving work; there is an excellent Chandos release conducted by Hickox.
Comment
-
Originally posted by ARBurton View PostNext year is the 50th anniversary of the opening of Coventry Cathedral which I seem to recall this piece was written for. Is there any chance that the BBC might repeat the first performance, if it still languishes in their archives?
Comment
-
-
Originally posted by Chris Newman View PostAnd, perhaps, Sir Michael Tippett's King Priam premiered the day before the War Requiem in Coventry by the Royal Opera as part of the arts festival to celebrate the opening of the cathedral."The sound is the handwriting of the conductor" - Bernard Haitink
Comment
-
-
Originally posted by Bryn View PostIt's on BBC4 this coming Sunday at 22:30, by the way.
I tried it and, most unusually for me, gave up after half an hour or so. It just seemed pointless - disconnected 'playlets' where you could see people talking but had to guess what they were saying, while the great music became just a rather irrelevant soundtrack.
Yes, I know that on paper it was directly relevant to the 'War is beastly' theme, but I couldn't see any way that the elements of the visual sequence really locked into the music. At the most basic level, were the visuals ever meaningfully aligned with changes or climaxes in the music? I didn't study this closely at the time but I don't recall so.
Very, very disappointing for me: was it somehow revelatory for anyone else?I keep hitting the Escape key, but I'm still here!
Comment
-
-
Originally posted by LeMartinPecheur View PostAny views on the Jarman film?
I tried it and, most unusually for me, gave up after half an hour or so. It just seemed pointless - disconnected 'playlets' where you could see people talking but had to guess what they were saying, while the great music became just a rather irrelevant soundtrack.
Yes, I know that on paper it was directly relevant to the 'War is beastly' theme, but I couldn't see any way that the elements of the visual sequence really locked into the music. At the most basic level, were the visuals ever meaningfully aligned with changes or climaxes in the music? I didn't study this closely at the time but I don't recall so.
Very, very disappointing for me: was it somehow revelatory for anyone else?
Comment
-
-
Originally posted by LeMartinPecheur View PostAny views on the Jarman film?
I tried it and, most unusually for me, gave up after half an hour or so.
Comment
-
-
Norfolk Born
As a matter of (minor) interest, the Radio Times film critic gave it 4 stars and the Telegraph film critic gave it 2. I watched it when it was first broadcast and didn't feel drawn to seeing it again.
Comment
-
Originally posted by Norfolk Born View PostAs a matter of (minor) interest, the Radio Times film critic gave it 4 stars and the Telegraph film critic gave it 2. I watched it when it was first broadcast and didn't feel drawn to seeing it again.I keep hitting the Escape key, but I'm still here!
Comment
-
Comment