Originally posted by salymap
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Having played the work with the BBCSO only a few months previously under Eugene Goosens, I was particularly interested in having the only recording then available and, compared with Goosens reading, I was quite staggered by the contrast.
Whilst allowing that the Philharmonia was probably at its peak at that period, I was bowled over by the electrifying precision of Sargent's interpretation ─ especially the savagery and malevolance of the scherzo; which I'm sure was just what Walton intended.
(A stark contrast to Goosens, who couldn't even avoid stumbling over some of the scherzo's 5/8 bars)
I don't know if this MS recording might still be available, but I would recommend anyone to listen to it.
VH
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