This leads to something I've been pondering over recently: does anyone get more enjoyment from a live concert being able to see what's going on rather than just listening? Obvious example being the Proms. I know I do. Historically of course the only way one got to hear music was to see it as well. Only in relatively recent times, with the invention of sound recording, has one been able to just listen. Somehow I don't feel the same about sound recordings, of which I have a large collection.
What recording can you always tell who is playing ?
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Originally posted by Lordgeous View PostThis leads to something I've been pondering over recently: does anyone get more enjoyment from a live concert being able to see what's going on rather than just listening? Obvious example being the Proms. I know I do. Historically of course the only way one got to hear music was to see it as well. Only in relatively recent times, with the invention of sound recording, has one been able to just listen. Somehow I don't feel the same about sound recordings, of which I have a large collection.
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Originally posted by richardfinegold View PostI agree that older recordings of both orchestras and soloists, primarily pianists, sound more distinctive. Claudio Arrau and Anne Fisher had very distinctive sonorities. The Philadelphia Orchestra under Stokie or Ormandy sounded very different in the pre Muti era. Golden Age Violinists were more individual sounding. Even the Auer pupils were very individualistic. No one would ever confuse Heifetz with Milstein, for example
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I think if you're not used to listening to sound-only, or if you're learning about classical music, it does help concentration and appreciation if you see the performaers as well as hear them. But thinking about what you say in the context of the recordings I've just been listening to, I wish there'd been a camera at those sessions . We sometimes see still-photos of studio sessions (Eric Auerbach was a master at these ) but they only whet my appetite for seeing what actually went on.
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Listening to R3 earlier to a superb performance of The William Tell overture with truly wonderful string playing. I thought this is one of the great orchestras . The Berlin Phil , LSO ? Then I thought maybe a really good opera orchestra like the Royal Opera House - they’ve really got this music in their bones. Turned out to be the Academy Of St Martin In the Fields under Sir Neville . They were one of the greatest …
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