Rave review from Richard Osborne in Gramophone this month even comparing it favourably to the Columbia SO/Walter version that topped his Gramophone Collection a few years back. Anyone heard it ?
Bruckner 4 LSO/Rattle
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It also got a rave review in the BBC Music Magazine from Michael Tanner. I've not heard it yet but the CDs are on my Christmas wish list.
RO's word on Bruckner is Holy Writ here so it's a must have! He also gave a very warm welcome to Thieleman's Bruckner with the VPO so I'll be buying those up as well."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostIt also got a rave review in the BBC Music Magazine from Michael Tanner. I've not heard it yet but the CDs are on my Christmas wish list.
RO's word on Bruckner is Holy Writ here so it's a must have! He also gave a very warm welcome to Thieleman's Bruckner with the VPO so I'll be buying those up as well.
On a completely different note I have been rather blown away by Blomstedts 1980s Bruckner 4 and 7 on Denon I picked up secondhand recently after the wonderful RFH concert this summer.
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Originally posted by Alison View PostOne of the first performances to be streamed on my new machine!
Fabulous stuff, swift and coherent. More involving than the Berlin recording.
Warning: Takes an absolute pummelling from Dave Hurwitz.
FWIW I find the Thieleman 4 too static and deliberate, stretching my patience.
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Originally posted by Alison View PostOne of the first performances to be streamed on my new machine!
Fabulous stuff, swift and coherent. More involving than the Berlin recording.
Warning: Takes an absolute pummelling from Dave Hurwitz.
FWIW I find the Thieleman 4 too static and deliberate, stretching my patience.
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Originally posted by Bryn View PostI wonder whether the single customer review on amazon.co.uk (a mere 3 stars) was influenced by Hurwitz's predictable disdain. I have imported it from QOBUZ but am yet to listen. If taken with it, I will listen to a couple of other LSO live SACDs recorded at the Barbican, before deciding whether or not to invest in the SACD option or not. I can't recall how much, if anything, surround sound offered in such an acoustic environment.
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Originally posted by silvestrione View PostOne of the special interests of this Rattle/Bruckner release is that it was recorded in LSO St Lukes, presumably a lockdown event, and to my, admittedly inexpert, ears, it sounds way better than any recording I've heard from the Barbican, open and spacious.
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"Bruckner ... two accounts of his Fourth Symphony, which can only be bought as a pair... I must say straightaway that the first disc’s worth of music contains the finest account of the Fourth Symphony I have ever heard, thanks to the extreme simplicity of the approach. With Bruckner it is tempting, with his endless rallentandos and portentous moving towards even sub-climaxes, to accelerate or slam on the brakes. Rattle has none of that (unusual for him), but presents this symphony in a way that eliminates its danger-points. The result is a triumph." - Michael Tanner
Sounds like a must listen, but it does seem strange to force an alternates disc on people.
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Originally posted by Mal View Post"Bruckner ... two accounts of his Fourth Symphony, which can only be bought as a pair... I must say straightaway that the first disc’s worth of music contains the finest account of the Fourth Symphony I have ever heard, thanks to the extreme simplicity of the approach. With Bruckner it is tempting, with his endless rallentandos and portentous moving towards even sub-climaxes, to accelerate or slam on the brakes. Rattle has none of that (unusual for him), but presents this symphony in a way that eliminates its danger-points. The result is a triumph." - Michael Tanner
Sounds like a must listen, but it does seem strange to force an alternates disc on people.
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