Originally posted by Keraulophone
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Dvorak Symphony No 9 from the New World
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I went out of my way to get Ferenc Fricsay's version - very good. I have a modestly sizeable collection of this symphony - but if asked in a hurry I'd probably say Fricsay - though it's not by any means the only one I enjoy.
I certainly heard the Toscanini one mentioned above. It increased my familiarity with the William Tell overture considerably.
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Originally posted by Dave2002 View PostI went out of my way to get Ferenc Fricsay's version - very good. I have a modestly sizeable collection of this symphony - but if asked in a hurry I'd probably say Fricsay - though it's not by any means the only one I enjoy.
I certainly heard the Toscanini one mentioned above. It increased my familiarity with the William Tell overture considerably.
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Originally posted by Keraulophone View Post...and also some in the Metropolis.
I thoroughly enjoyed hearing it played brilliantly by the Vienna Philharmonic after Leonidas Kavakos's Korngold Violin Concerto at the 2019 Proms, the day after Haitink's farewell Bruckner 7 . Andrés Orozco-Estrada began the concert with The Noonday Witch.
Andrés Orozco-Estrada conducts the Vienna Philharmonic in a concert with a Central European accent. Dvořák’s ‘New World’ Symphony and folk-inspired The Noonday Witch join Korngold’s unashamedly Romantic Violin Concerto. Leonidas Kavakos is the soloist.
My 1972 pocket money could only afford the fiery NBC SO / Toscanini on a cheap RCA Victrola reissue (rec. Carnegie Hall, 2/2/1953), which was played to destruction in boarding school:
Meanwhile, I was rather taken with Marin Alsop’s Baltimore account on Naxos recently . Very glad she is coming back for the last night.
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This was the first major work I heard and thought wow, this is what it's all about! I was 4 or 5 years old and had it on one of those "classical collection" tapes or some such, so no idea who was conducting, but it singlehandedly opened my ears to literally a new world. I remember thinking there must be hundreds of people in that orchestra lol
I then listened to it over and over, trying to pick apart what instrument was doing what and how it all fit together.
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Originally posted by gramophonic View PostThis was the first major work I heard and thought wow, this is what it's all about! I was 4 or 5 years old and had it on one of those "classical collection" tapes or some such, so no idea who was conducting, but it singlehandedly opened my ears to literally a new world. I remember thinking there must be hundreds of people in that orchestra lol
I then listened to it over and over, trying to pick apart what instrument was doing what and how it all fit together.
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Originally posted by richardfinegold View PostThat is very young, but through the years I’ve seen the NWS be a “gateway “ work on adolescents or adults that were curious about Classical Musicbut not knowing where to start. I frequently get asked to recommend pieces that sound “just like it”.
My dad's music is the heavy side of classic rock (deep purple especially) and mum isn't at all musical, but they did make an efert to show me lots of different kinds of music. I had quite an eclectic tape collection, mostly things that had been borrowed from the library then dubbed onto another tape. I am totally blind and have been from birth, so they possibly thought I was going to do something with music anyway!
The new world was definitely a lightbulb moment for me and I can well imagine it being so for other young people.
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Originally posted by Bryn View PostA 5-disc set of 12" 78s (Stokowski's 1934 recording in its 1935 auto-couped UK release) was my father's only recording of a symphony when I was a young lad. He must have bought it long after its release, however. He was only 11 years old in 1935. It will have been a post-WWII purchase.
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Originally posted by Barbirollians View PostWas it good ? Not a version I have heard - The Szell is the earliest I know and that is excellent.
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Originally posted by richardfinegold View PostThat is very young, but through the years I’ve seen the NWS be a “gateway “ work on adolescents or adults that were curious about Classical Musicbut not knowing where to start. I frequently get asked to recommend pieces that sound “just like it”.
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