Originally posted by cloughie
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Von Karajan Brahms Discography
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Originally posted by Heldenleben View PostI went to that concert . It was indeed majestic. I seem to remember Karajan not being well enough to make it offstage for the numerous curtain calls so he walked to the back of the first violins. Frankly the reception was so tumultuous he could have just stayed on the rostrum . Weirdly the one thing that sticks in my mind is the tremendous sound the BPO double basses made at the beginning ( and throughout) . They really dig into the strings…
I also attended the concert with the BPO and Karajan the year before when they played Brahms 2 and 4. That concert was also affected by industrial action in France, although on this occasion it meant that the BPO had to play in casual clothes as their concert attire had been held up by the French strike.
Tickets were like gold dust and I’m still not sure how we managed to secure ours; just lucky I suppose. I remember that when we went in to the RFH there were people standing outside waving handfuls of £50 notes in the hope of securing a ticket."I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by Keraulophone View PostI am so envious! The one remarkable Brahms 1 that I can claim to have attended was BBCSO/Boult at the Proms; it’s opening so stately that it must have been conducted one-in-a-bar.
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Originally posted by EnemyoftheStoat View PostSix-in-a-bar, surely? I can't imagine it sounding "stately" the way you describe, in fact I almost can't imagine it that way at all.
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Originally posted by cloughie View PostBoult’s Brahms was rather good - his EMI Symphony cycle evolved from No 3 being recorded in a bit of spare time at the end of an LSO recording session!
I picked it up recently in its Disky reincarnation for a few pennies. One day, when the boxes are unpacked post-relocation, I'll give it another whirl.
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Originally posted by EnemyoftheStoat View PostYes, funny how that cycle came about and how good it turned out to be......
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Originally posted by Keraulophone View PostI should have written two-in-a-bar. Whatever Sir Adrian did at his great age (he only conducted the second half), his long baton seemed to move very slowly. Conducting six quavers would have worn him out!
Back to HVK and the topic - I agree entirely about the Testament Brahms 1 - the coda in the finale in particular is quite extraordinary. As estimable as are his DG accounts from the 60s and 70s I retain a very soft spot for his Philharmonia 2 and in particular 4.
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Originally posted by Keraulophone View PostI should have written two-in-a-bar. Whatever Sir Adrian did at his great age (he only conducted the second half), his long baton seemed to move very slowly. Conducting six quavers would have worn him out!
Most of the bars are in 6/8 though bar 8 is in 9/8.
I think trying to conduct in quavers would be a challenge for anybody!
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Originally posted by Dave2002 View PostI had to check with the score - http://conquest.imslp.info/files/img...WV,_S._292.pdf
Most of the bars are in 6/8 though bar 8 is in 9/8.
I think trying to conduct in quavers would be a challenge for anybody!
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