Originally posted by Barbirollians
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Sir John Barbirolli
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Originally posted by Eine Alpensinfonie View PostAgree with all that. Though JB’s earlier mono recording is quite a bit swifter. But in the case of the 1964 recording, I know of no reading of the Larghetto that gets so close to the heart of this music.
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(A cd set of three symphony performances - Elgar 2, Sibelius 2 and Haydn 82 - with BSO can be found easily online at a less than a tenner!)
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Originally posted by Barbirollians View PostI remember seeing that Monitor programme repeated in the late 1980s and it made me want to buy as many Barbirolli records as I could but also the rehearsal sequence of the opening of the third movement of Bruckner 7 made me interested in Bruckner who my early experiences of had not been that prepossessing.
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It appears to still exist: https://manchesterhistory.net/manche...side/zion.html
(In that part of the film I found the vacant spaces, in the surrounding area, where the houses had been bombed very moving and evocative.)
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Originally posted by vibratoforever View PostMy preferred performance of Elgar 2 is that with the Boston SO. The Larghetto, with the Boston strings, is possibly even finer than the 64 recording and there is a very exciting performance of the Rondo.
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(A cd set of three symphony performances - Elgar 2, Sibelius 2 and Haydn 82 - with BSO can be found easily online at a less than a tenner!)
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Originally posted by Barbirollians View PostIs that the Memories issue ?
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Originally posted by vibratoforever View PostYes. The Elgar performance is the one that first appeared on Music and Arts label. A second performance in the sequence of concerts in 64 appeared briefly (Intaglio?) but it was a bit quicker, closer to the 1954 HMV recording
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I’m taking my time with the big Warner box set.
The transfers far exceed my expectations. The downside is the poor documentation - the lack of track listings in the very small booklet being the worst thing. Do they really expect people to trawl through the box, reading each cardboard sleeve to find a performance? The answer must be ‘yes’.
Also there’s some carelessness; e.g. the original LP of the 1968 Peer Gynt incidental music was not an HMV issue, but a Columbia Studio Two one.
It’s sad that Warner have to try so hard to erase EMI from the history books, by obliterating Pye, HMV and Columbia labelling from their ‘original’ album covers, replacing them with the rather characterless Warner one. (At least we don’t get Bugs Bunny.)Last edited by Eine Alpensinfonie; 20-07-20, 13:16.
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Originally posted by Eine Alpensinfonie View PostIt’s sad that Warner have to try so hard to erase EMI from the history books, by obliterating Pye, HMV and Columbia labelling from their ‘original’ album covers, replacing them with the rather characterless Warner one. (At least we don’t get Bugs Bunny.)
While ripping to HDD I played with one of the sleeve scans, replacing Warner with the original HMV:
(By the way, if anyone is masochistic enough to envisage ripping the set to HDD - send me a PM.)
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Originally posted by cloughie View PostI have the Intaglio coupled with the Purcell Suite. I never knew there was more than one recording. In checking Amazon I see that the Memories label has some incredible looking recordings (many of them live) of great conductors of the past (Szell, Beecham, Stokowski, Klemperer, E Kleiber, Koussevitzy, Knappertsbusch and others) at £5.90 plus £1.26 p&p, shipped from Japan - all looks too too good to be true- many of them multiple sets - has anyone any of these and if so what is the sound quality like?
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Originally posted by johnb View PostI find it bizarre.
While ripping to HDD I played with one of the sleeve scans, replacing Warner with the original HMV:
(By the way, if anyone is masochistic enough to envisage ripping the set to HDD - send me a PM.)
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Originally posted by cloughie View PostIt’s possibly not so much erasing Nipper or the Columbia notes so much as ownership of the trademark - I think Warner own the Parlophone logo, but it is noticeable what has happened with other companies Eg I don’t think that Decca can use the Philips logo as All the old Duos now are Decca and Gergiev’s and Uncle Bernie and Colin Davis, once mainstays of the Philips label now bear the Decca Red and Blue though Mercury and DGG still use their own stamps!"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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Originally posted by visualnickmos View PostI've tried searching at some point, but I can't find anything when I search on Az under 'memories excellence' Do you have any tips on how to find them? Thanks
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