Seckerson on Prokofiev

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  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    #16
    I messaged ES on Twitter, he was most appreciative of my message to him. I enjoyed this immensely. Classic radio.
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

    Comment

    • gurnemanz
      Full Member
      • Nov 2010
      • 7405

      #17
      Enjoyed the selection. I'll get around to listening to his choices on Spotify. The only work I didn't have a recording of is the Schippers/Nevsky which tempts me. I haven't seen the film since student film club screening over 50 years - also an omission. It got me listening to some Prokofiev recordings I do have and haven't played for a while, eg some items from the excellent 3 disc complete songs on Delos.

      Comment

      • Parry1912
        Full Member
        • Nov 2010
        • 965

        #18
        Originally posted by Master Jacques View Post
        Whatever one thinks of ES's style, he is at least a consummate broadcaster, which makes a nice change.
        Perhaps he could concentrate on that then and we could have less of him in Gramophone (or Edward Seckerson Monthly as it seems to be turning into).
        Del boy: “Get in, get out, don’t look back. That’s my motto!”

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        • Alison
          Full Member
          • Nov 2010
          • 6468

          #19
          Originally posted by Parry1912 View Post
          Perhaps he could concentrate on that then and we could have less of him in Gramophone (or Edward Seckerson Monthly as it seems to be turning into).


          And as if he’d criticise anything by Michael Tilson Thomas ....

          Comment

          • Goon525
            Full Member
            • Feb 2014
            • 604

            #20
            Originally posted by Alison View Post


            And as if he’d criticise anything by Michael Tilson Thomas ....
            It’s his blinkered approach to Mahler reviewing that bothers me. Anything by Lennie or school of Lennie must be great. Anything by any conductor more at the objectivist end of the spectrum, say Haitink or Blomstedt, clearly doesn’t 'get' Mahler.

            Comment

            • Alison
              Full Member
              • Nov 2010
              • 6468

              #21
              Originally posted by Goon525 View Post
              It’s his blinkered approach to Mahler reviewing that bothers me. Anything by Lennie or school of Lennie must be great. Anything by any conductor more at the objectivist end of the spectrum, say Haitink or Blomstedt, clearly doesn’t 'get' Mahler.
              At least the review of the Blomstedt Ninth didn’t contain his familiar punchline ‘it isn’t Mahler’.

              Comment

              • Conchis
                Banned
                • Jun 2014
                • 2396

                #22
                I haven’t listened to the programme and this thread has saved me the bother, as I don’t think I’d like it. I am familiar with the presenter and his ‘matey’ style of presentation. I dislike name-dropping: it’s a sure sing of a vulgarian at play.

                As to the choices: I thought the Karajan Classical Symphnoy was generally considered a crude sight-reading exercise and whollly lacking in the ‘taste of potatoes’ that someone once said was the authentic indicator of a good Prokofiev performance?

                I like most of S.P.’s output, but I always blow hot and cold on the ballets, which are over-long and contain a high proportion of stodge (though the memorable bits are VERY memorable).

                Comment

                • HighlandDougie
                  Full Member
                  • Nov 2010
                  • 3106

                  #23
                  Originally posted by Conchis View Post

                  As to the choices: I thought the Karajan Classical Symphnoy was generally considered a crude sight-reading exercise and whollly lacking in the ‘taste of potatoes’ that someone once said was the authentic indicator of a good Prokofiev performance?
                  Hmm, something seems to have got lost somewhere in translation. HvK's Classical Symphony wasn't one of the choices (PC3; Symphony 3; VC2; Alexander Nevsky; R&J). Mention of the Classical Symphony at one point; ditto Symphony No 5 (and MTT/LSO). I can't recall that, even in that context, HvK was even mentioned??

                  Comment

                  • Pulcinella
                    Host
                    • Feb 2014
                    • 11062

                    #24
                    These were the choices (Conchis might have assumed HvK was included from anton's message early on....?), copied from last Saturday's schedule page listings.

                    Recommended Recordings:

                    Piano Concerto No. 3 in C major, Op. 26
                    Martha Argerich (piano)
                    Berlin Philharmonic
                    Claudio Abbado (conductor)
                    DG 4474382

                    Symphony No. 3 in C minor, Op. 44
                    State Academic Symphony Orchestra of Russia (Evgeny Svetlanov)
                    Vladimir Jurowski
                    Pentatone PTC5186624 (Hybrid SACD)

                    Violin Concerto No. 2 In G Minor Op. 63
                    Maxim Vengerov (violin)
                    The London Symphony Orchestra
                    Mstislav Rostropovich (conductor)
                    Teldec 0630-13150-2

                    Alexander Nevsky Op.78
                    Lili Chookasian (contralto)
                    Westminster Choir
                    New York Philharmonic Orchestra
                    Thomas Schippers (conductor)
                    CBS MPK 45557

                    Romeo and Juliet, Op.64
                    London Symphony Orchestra
                    Andre Previn (conductor)
                    Warner Classics 9677012 (2 CDs)
                    Last edited by Pulcinella; 30-08-19, 11:41. Reason: Pentatone became Pentagon, mysteriously!

                    Comment

                    • Conchis
                      Banned
                      • Jun 2014
                      • 2396

                      #25
                      Originally posted by Pulcinella View Post
                      These were the choices (Conchis might have assumed HvK was included from anton's message early on....?), copied from last Saturday's schedule page listings.

                      Recommended Recordings:

                      Piano Concerto No. 3 in C major, Op. 26
                      Martha Argerich (piano)
                      Berlin Philharmonic
                      Claudio Abbado (conductor)
                      DG 4474382

                      Symphony No. 3 in C minor, Op. 44
                      State Academic Symphony Orchestra of Russia (Evgeny Svetlanov)
                      Vladimir Jurowski
                      Pentatone PTC5186624 (Hybrid SACD)

                      Violin Concerto No. 2 In G Minor Op. 63
                      Maxim Vengerov (violin)
                      The London Symphony Orchestra
                      Mstislav Rostropovich (conductor)
                      Teldec 0630-13150-2

                      Alexander Nevsky Op.78
                      Lili Chookasian (contralto)
                      Westminster Choir
                      New York Philharmonic Orchestra
                      Thomas Schippers (conductor)
                      CBS MPK 45557

                      Romeo and Juliet, Op.64
                      London Symphony Orchestra
                      Andre Previn (conductor)
                      Warner Classics 9677012 (2 CDs)

                      Yes, thanks for the clarication. My mistake!

                      Seckerson’s list doesn’t impress me. There is too much of the ‘you’ve really got to be Russian, or to have lived under Soviet tyranny to understand this music’ school of thought behind his choices. But that is a really BIZARRE choice for Alexander Nevsky.

                      Comment

                      • Conchis
                        Banned
                        • Jun 2014
                        • 2396

                        #26
                        Ozawa’s Prokofiev integrale was lambasted by the Penguin Guide, which gave it only one star. I’ve never heard it. Is it generally felt to be Not Very Good?

                        Comment

                        • pastoralguy
                          Full Member
                          • Nov 2010
                          • 7799

                          #27
                          Originally posted by Conchis View Post
                          Ozawa’s Prokofiev integrale was lambasted by the Penguin Guide, which gave it only one star. I’ve never heard it. Is it generally felt to be Not Very Good?
                          I was delighted to find the set in a second hand shop by Carlisle Cathedral. (Classics by the Cathedral?) Alas, when I returned home I was very disappointed with the performances. Very fine playing as one would expect from this source but the performances were very...limp! No tension, no imagination and certainly no FIRE! I compared them to the SNO/Jarvi discs and the Chandos were everything the DG cycle wasn't.

                          Comment

                          • Pulcinella
                            Host
                            • Feb 2014
                            • 11062

                            #28
                            Gramophone review here:

                            Comment

                            • pastoralguy
                              Full Member
                              • Nov 2010
                              • 7799

                              #29
                              Originally posted by Pulcinella View Post

                              Comment

                              • LHC
                                Full Member
                                • Jan 2011
                                • 1561

                                #30
                                Originally posted by Pulcinella View Post
                                These were the choices (Conchis might have assumed HvK was included from anton's message early on....?), copied from last Saturday's schedule page listings.

                                Recommended Recordings:

                                Piano Concerto No. 3 in C major, Op. 26
                                Martha Argerich (piano)
                                Berlin Philharmonic
                                Claudio Abbado (conductor)
                                DG 4474382

                                Symphony No. 3 in C minor, Op. 44
                                State Academic Symphony Orchestra of Russia (Evgeny Svetlanov)
                                Vladimir Jurowski
                                Pentatone PTC5186624 (Hybrid SACD)

                                Violin Concerto No. 2 In G Minor Op. 63
                                Maxim Vengerov (violin)
                                The London Symphony Orchestra
                                Mstislav Rostropovich (conductor)
                                Teldec 0630-13150-2

                                Alexander Nevsky Op.78
                                Lili Chookasian (contralto)
                                Westminster Choir
                                New York Philharmonic Orchestra
                                Thomas Schippers (conductor)
                                CBS MPK 45557

                                Romeo and Juliet, Op.64
                                London Symphony Orchestra
                                Andre Previn (conductor)
                                Warner Classics 9677012 (2 CDs)
                                Why the reference to Evgeny Svetlanov in the name of the State Academic Symphony Orchestra of Russia? He's not associated with this particular recording. Or is this simply a transcription error from the Amazon listing for this symphony?
                                "I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
                                Lady Bracknell The importance of Being Earnest

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