I messaged ES on Twitter, he was most appreciative of my message to him. I enjoyed this immensely. Classic radio.
Seckerson on Prokofiev
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Enjoyed the selection. I'll get around to listening to his choices on Spotify. The only work I didn't have a recording of is the Schippers/Nevsky which tempts me. I haven't seen the film since student film club screening over 50 years - also an omission. It got me listening to some Prokofiev recordings I do have and haven't played for a while, eg some items from the excellent 3 disc complete songs on Delos.
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Originally posted by Master Jacques View PostWhatever one thinks of ES's style, he is at least a consummate broadcaster, which makes a nice change.Del boy: “Get in, get out, don’t look back. That’s my motto!”
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Originally posted by Alison View Post
And as if he’d criticise anything by Michael Tilson Thomas ....
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Originally posted by Goon525 View PostIt’s his blinkered approach to Mahler reviewing that bothers me. Anything by Lennie or school of Lennie must be great. Anything by any conductor more at the objectivist end of the spectrum, say Haitink or Blomstedt, clearly doesn’t 'get' Mahler.
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I haven’t listened to the programme and this thread has saved me the bother, as I don’t think I’d like it. I am familiar with the presenter and his ‘matey’ style of presentation. I dislike name-dropping: it’s a sure sing of a vulgarian at play.
As to the choices: I thought the Karajan Classical Symphnoy was generally considered a crude sight-reading exercise and whollly lacking in the ‘taste of potatoes’ that someone once said was the authentic indicator of a good Prokofiev performance?
I like most of S.P.’s output, but I always blow hot and cold on the ballets, which are over-long and contain a high proportion of stodge (though the memorable bits are VERY memorable).
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Originally posted by Conchis View Post
As to the choices: I thought the Karajan Classical Symphnoy was generally considered a crude sight-reading exercise and whollly lacking in the ‘taste of potatoes’ that someone once said was the authentic indicator of a good Prokofiev performance?
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These were the choices (Conchis might have assumed HvK was included from anton's message early on....?), copied from last Saturday's schedule page listings.
Recommended Recordings:
Piano Concerto No. 3 in C major, Op. 26
Martha Argerich (piano)
Berlin Philharmonic
Claudio Abbado (conductor)
DG 4474382
Symphony No. 3 in C minor, Op. 44
State Academic Symphony Orchestra of Russia (Evgeny Svetlanov)
Vladimir Jurowski
Pentatone PTC5186624 (Hybrid SACD)
Violin Concerto No. 2 In G Minor Op. 63
Maxim Vengerov (violin)
The London Symphony Orchestra
Mstislav Rostropovich (conductor)
Teldec 0630-13150-2
Alexander Nevsky Op.78
Lili Chookasian (contralto)
Westminster Choir
New York Philharmonic Orchestra
Thomas Schippers (conductor)
CBS MPK 45557
Romeo and Juliet, Op.64
London Symphony Orchestra
Andre Previn (conductor)
Warner Classics 9677012 (2 CDs)
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Originally posted by Pulcinella View PostThese were the choices (Conchis might have assumed HvK was included from anton's message early on....?), copied from last Saturday's schedule page listings.
Recommended Recordings:
Piano Concerto No. 3 in C major, Op. 26
Martha Argerich (piano)
Berlin Philharmonic
Claudio Abbado (conductor)
DG 4474382
Symphony No. 3 in C minor, Op. 44
State Academic Symphony Orchestra of Russia (Evgeny Svetlanov)
Vladimir Jurowski
Pentatone PTC5186624 (Hybrid SACD)
Violin Concerto No. 2 In G Minor Op. 63
Maxim Vengerov (violin)
The London Symphony Orchestra
Mstislav Rostropovich (conductor)
Teldec 0630-13150-2
Alexander Nevsky Op.78
Lili Chookasian (contralto)
Westminster Choir
New York Philharmonic Orchestra
Thomas Schippers (conductor)
CBS MPK 45557
Romeo and Juliet, Op.64
London Symphony Orchestra
Andre Previn (conductor)
Warner Classics 9677012 (2 CDs)
Yes, thanks for the clarication. My mistake!
Seckerson’s list doesn’t impress me. There is too much of the ‘you’ve really got to be Russian, or to have lived under Soviet tyranny to understand this music’ school of thought behind his choices. But that is a really BIZARRE choice for Alexander Nevsky.
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Originally posted by Conchis View PostOzawa’s Prokofiev integrale was lambasted by the Penguin Guide, which gave it only one star. I’ve never heard it. Is it generally felt to be Not Very Good?
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Originally posted by Pulcinella View PostThese were the choices (Conchis might have assumed HvK was included from anton's message early on....?), copied from last Saturday's schedule page listings.
Recommended Recordings:
Piano Concerto No. 3 in C major, Op. 26
Martha Argerich (piano)
Berlin Philharmonic
Claudio Abbado (conductor)
DG 4474382
Symphony No. 3 in C minor, Op. 44
State Academic Symphony Orchestra of Russia (Evgeny Svetlanov)
Vladimir Jurowski
Pentatone PTC5186624 (Hybrid SACD)
Violin Concerto No. 2 In G Minor Op. 63
Maxim Vengerov (violin)
The London Symphony Orchestra
Mstislav Rostropovich (conductor)
Teldec 0630-13150-2
Alexander Nevsky Op.78
Lili Chookasian (contralto)
Westminster Choir
New York Philharmonic Orchestra
Thomas Schippers (conductor)
CBS MPK 45557
Romeo and Juliet, Op.64
London Symphony Orchestra
Andre Previn (conductor)
Warner Classics 9677012 (2 CDs)"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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