Originally posted by cloughie
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HvK best at ... ?
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As with so many conductors, Karajan included, recordings only tell half the story. Re the Strauss operas; I think it likely that DG saw the less 'sellable' ones as the preserve of Karl Böhm. Elektra, though, is a surprising omission. Karajan performed it as early as 1938 at the Berlin State Opera and often thereafter but the only recording we have is a 1964 Vienna broadcast.
Those interested in Karajan's performance history should investigate this fascinating resource which should keep anyone occupied for hours: http://www.karajan.org/jart/prj3/kar...ve-mode=active"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by pastoralguy View PostI was lucky enough to get the opportunity to ask Sir Simon about that very topic. He told me that the Berliner Philharmoniker were reluctant to play the Symphonies since there was little enthusiasm amongst the Berlin audiences. The attitude was 'why bother when there's Brahms?!'
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He didn't find anything in Elgar (not even the familiar stuff): at around the time he was recording the Nielsen #4 and the Saint-Saens Organ Symphony, he ordered scores of Elgar's orchestral works to study with a view to performing/recording them. He sent most of them back fairly quickly, but kept the Second Symphony for some months before deciding it wasn't for him.
The Strauss Domestic and Alpine weren't exactly "well canonised" before he recorded them - only the excellent Kempe Stereo recordings from any of the "big" names.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Petrushka View PostAs with so many conductors, Karajan included, recordings only tell half the story. Re the Strauss operas; I think it likely that DG saw the less 'sellable' ones as the preserve of Karl Böhm. Elektra, though, is a surprising omission. Karajan performed it as early as 1938 at the Berlin State Opera and often thereafter but the only recording we have is a 1964 Vienna broadcast.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Bryn View PostWhy bother with Brahms when there is Schoenberg?
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Originally posted by ferneyhoughgeliebte View PostThere's a Live Frau ohne Schatten, too, which he never took into the studio (and which, unlike the Elektra hasn't been "officially" released AFAIK).
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Originally posted by Conchis View Post
though the p&p is both excessive and delivery may not be available to the UK.
It is not, however, in the supposedly complete DG and Decca recordings box. I have just ordered a "Used: Good" condition set from amazon.fr for £22.55 including p&p.
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Originally posted by Bryn View Post
Karajan decides that he knows better than Strauss/von Hofmannstahl and re-orders the sequence of the scenes. Still marvellous, though.
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