Originally posted by jayne lee wilson
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but the problem is that Harnoncourt recordings of Mozart span four decades, from the RCOA, CMW, COE and then those wonderful late CMW/Sony issues of the No.35 c/w the k320 Serenade (a warm and lovable reading, believe it or not), and an utterly remarkable release of 39-41 (the reading conceived as a continuous trilogy, though of course you don't have to listen to it that way) just a few years ago. So it is very hard to generalise about such a creatively renewing artist.
None of those later recordings would strike me as "harsh" or "attention-seeking" - challenging and freshly insightful? Absolutely - as a very original and deeply reflective artist he wants to [I]make us listen.
Anyway, thanks for the insightful comments, I'll put Harnoncourt, gingerly, back on my playlist. (At the moment K320 not sounding warm and loveable, I'm afraid, I think I'll have to quit before the end... suffering from Mozart overdose...)
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