Lutoslawski Cello Concerto; Dutilleux Tout un Monde Lointain.
Johannes Moser/Berlin RSO/Sondergard. 24/96 Pentatone. Qobuz Studio Stream.
The cool classy transparency of this new recording of Lutosławski’s Cello Concerto may at first seem to present a slightly too laid back account. But you soon become absorbed by the freedom, fantasy and precision of Moser’s assumption, the reliably velvety beauty of the Berlin RSO, the impressively large-scale of the orchestral image.
The strings in the cantilena have never sounded more beautiful, those overlapping brass outbursts never more sharply detailed; but perhaps it lacks a little anger or fire? Too..luxurious?
One focusses again on those eerily twisting cello harmonics, the tiny threads and brushstrokes of percussion, fabulously deep in the acoustic; marvelling at the resolution of it all to the ear. But still neither shaken nor stirred…
Then we hit the finale and - well, look out! - the roof goes off… So that’s what Søndergard was saving it all up for…!
The orchestra attack their brief climactic passages with a staggering, frenzied impact, that huge final chord leaving you breathless in your chair, and the soloist singing his single high note, defiantly individual and alone….
As you might expect, the distant world of the Dutilleux finds all these performers in their element, comme il faut…. articulate, poetic, coolly glittering; like most of Dutilleux’ preciously curated capsule collection, it’s a work I’m very fond of, and this recording, whilst it retains a certain Apollonian distancing, joins the best of them on the very highest level for sound and sense.
I found the cello soloist slightly too close at first; as the effortlessly powerful orchestra weren’t very far behind, this wasn’t a great problem (and may be system dependent); but I simply switched DAC filters to achieve a more sympathetic space and distance…
If you still actually buy recordings…and have others of both these wonderful works you already love, is this an essential purchase? Perhaps not; but certainly a indulgently luxurious listen.…a fresh take.
(Johannes Moser’s own notes to the works are remarkably, keenly insightful; I’m happy to report more and more booklet notes presented this way recently… e.g.Jacobs on Schubert 1 & 6…)
Johannes Moser/Berlin RSO/Sondergard. 24/96 Pentatone. Qobuz Studio Stream.
The cool classy transparency of this new recording of Lutosławski’s Cello Concerto may at first seem to present a slightly too laid back account. But you soon become absorbed by the freedom, fantasy and precision of Moser’s assumption, the reliably velvety beauty of the Berlin RSO, the impressively large-scale of the orchestral image.
The strings in the cantilena have never sounded more beautiful, those overlapping brass outbursts never more sharply detailed; but perhaps it lacks a little anger or fire? Too..luxurious?
One focusses again on those eerily twisting cello harmonics, the tiny threads and brushstrokes of percussion, fabulously deep in the acoustic; marvelling at the resolution of it all to the ear. But still neither shaken nor stirred…
Then we hit the finale and - well, look out! - the roof goes off… So that’s what Søndergard was saving it all up for…!
The orchestra attack their brief climactic passages with a staggering, frenzied impact, that huge final chord leaving you breathless in your chair, and the soloist singing his single high note, defiantly individual and alone….
As you might expect, the distant world of the Dutilleux finds all these performers in their element, comme il faut…. articulate, poetic, coolly glittering; like most of Dutilleux’ preciously curated capsule collection, it’s a work I’m very fond of, and this recording, whilst it retains a certain Apollonian distancing, joins the best of them on the very highest level for sound and sense.
I found the cello soloist slightly too close at first; as the effortlessly powerful orchestra weren’t very far behind, this wasn’t a great problem (and may be system dependent); but I simply switched DAC filters to achieve a more sympathetic space and distance…
If you still actually buy recordings…and have others of both these wonderful works you already love, is this an essential purchase? Perhaps not; but certainly a indulgently luxurious listen.…a fresh take.
(Johannes Moser’s own notes to the works are remarkably, keenly insightful; I’m happy to report more and more booklet notes presented this way recently… e.g.Jacobs on Schubert 1 & 6…)
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