I have recently taken to follow in the steps of Ed Balls and Alan Rusbridger by revisiting pianos and keyboards. I was never very good, and now I'm appallingly bad.
(https://www.theguardian.com/books/20...y-again-review)
I have found my copies of Beethoven sonatas, Bach's 48 and Haydn sonatas.
I'd really like to have harpsichord recordings of Bach's 48, but searching on Amazon finds hardly any. There is a CD by Colin Tilney - but it may be used and is very expensive.
My suspicion is that as electronic keyboards have to some extent replaced pianos, and it's not really "cool" to play piano, and that hardly anyone learns how to play piano/keyboards these days.
In parallel with this, the wide scale availability of recorded music which has been heralded with streaming services - such as Spotify - may actually be shrinking, as CDs are being removed from catalogues, and many works are now difficult to find.
I have struggled to find many versions of Bach's 48 on Amazon - and streaming sites such as Qobuz are no better. The only ones I've found to be readily available are by Barenboim, Edwin Fischer and Glenn Gould.
Being able to search rapidly which has been touted as a significant advantage for downloads/streaming services is no real benefit if companies are not making some of the most significant musical works available, and this must surely be having an adverse effect on music teaching, music colleges etc. How are young and up and coming artists supposed to gain familiarity with some of these well established and essential (IMO) works in the repertoire?
(https://www.theguardian.com/books/20...y-again-review)
I have found my copies of Beethoven sonatas, Bach's 48 and Haydn sonatas.
I'd really like to have harpsichord recordings of Bach's 48, but searching on Amazon finds hardly any. There is a CD by Colin Tilney - but it may be used and is very expensive.
My suspicion is that as electronic keyboards have to some extent replaced pianos, and it's not really "cool" to play piano, and that hardly anyone learns how to play piano/keyboards these days.
In parallel with this, the wide scale availability of recorded music which has been heralded with streaming services - such as Spotify - may actually be shrinking, as CDs are being removed from catalogues, and many works are now difficult to find.
I have struggled to find many versions of Bach's 48 on Amazon - and streaming sites such as Qobuz are no better. The only ones I've found to be readily available are by Barenboim, Edwin Fischer and Glenn Gould.
Being able to search rapidly which has been touted as a significant advantage for downloads/streaming services is no real benefit if companies are not making some of the most significant musical works available, and this must surely be having an adverse effect on music teaching, music colleges etc. How are young and up and coming artists supposed to gain familiarity with some of these well established and essential (IMO) works in the repertoire?
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