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Announcement at the Fairfield Hall in Croydon at the start of a concert in the mid 1980s....
'Ladies and gentlemen, tonight's soloist Salvatore Accardo is unfortunately indisposed and will be replaced in the Elgar violin concerto by the young British violinist Nigel Kennedy'.
I'm not sure whether whether it proved to be his 'breakthrough' performance, but it was very well received on the night.
I first heard Nig in 1977 when he played with the SNO. After that, the SNO went through a phase of violin soloists cancelling and their 'go to' replacement was Nigel Kennedy. It was obvious that this chap had a special talent. I was a bit cheesed when I asked an SNO member why he no longer played with them. 'Oh, he's WAY too expensive now!' Was the reply.
I'm beginning to wonder whether the performance that I saw in Croydon was a bit earlier than I thought. I can't be sure, but I think that he was playing with the LPO under Klaus Tennstedt. We moved to Suffolk in 1986.
I'm beginning to wonder whether the performance that I saw in Croydon was a bit earlier than I thought. I can't be sure, but I think that he was playing with the LPO under Klaus Tennstedt. We moved to Suffolk in 1986.
Hmm, not sure Tennstedt would have performed the Elgar. However, KT did record the Brahms VC with Nigel Kennedy. Could it have been that?
"The sound is the handwriting of the conductor" - Bernard Haitink
You're very probably right..it was definitely Nigel Kennedy and it was definitely the Elgar concerto, but my memory isn't as - what's the word? - as it used to be!
It appears that there has been some controversy in recent times about the Fairfield Halls, with Nigel Kennedy among those contributing to the debate.
I first heard Nig in 1977 when he played with the SNO. After that, the SNO went through a phase of violin soloists cancelling and their 'go to' replacement was Nigel Kennedy. It was obvious that this chap had a special talent. I was a bit cheesed when I asked an SNO member why he no longer played with them. 'Oh, he's WAY too expensive now!' Was the reply.
Ah well, such is the way of the music business.
Hmmm! I remember playing in a performance of the Elgar concerto with 'Nige' at the University of York. At the conclusion, 'Nige' responded to the conductor's proffered hand not with a shake but by pretending to spit on his own hand and then engaging the conductor in a 'high five'. The reaction of the orchestra (which had a high proportion then of young and trendy professionals) including myself was "wonderful violinist but what a pillock!" To an extent I still think that but, looking at history, would Elgar and W.H. Reed, if looking down from on high, regard this as a 'jape' and laugh with 'Nige'?
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