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(I don't think it's released till mid-October.... it's just the concept that I find a little )
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Their recording of Le Sacre du Printemps was favoured by La Tribune des Critiques last Sunday, much to the panel's surprise when the preferred version was revealed.
Vincent Agrech, Sophie Bourdais et Emmanuelle Giuliani élisent la version de référence du Sacre du Printemps d'Igor Stravinsky. Seuls ont été pris en compte les enregistrements des 20 dernières années.
I think perhaps meilleure version is as misleading as RR's "best".
Last edited by Alain Maréchal; 05-09-18, 10:56.
Reason: le mot plus juste
Their recording of Le Sacre du Printemps was favoured by La Tribune des Critiques last Sunday, much to the panel's surprise when the preferred version was revealed.
Vincent Agrech, Sophie Bourdais et Emmanuelle Giuliani élisent la version de référence du Sacre du Printemps d'Igor Stravinsky. Seuls ont été pris en compte les enregistrements des 20 dernières années.
I think perhaps meilleure version is as misleading as RR's "best".
Ah zut alors! Le vieux spoiler! Pas encore entendu cette Tribune....!
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Ah zut alors! Le vieux spoiler! Pas encore entendu cette Tribune....!
Sorry, Caliban. Listen anyway, for the differences were interesting, although by the time I had heard five consecutive versions of the danse sacrale I was ready to run from the room. I have never been able to listen to Le sacre with a clear head. Any performance that doesn’t fall apart sounds wonderful to me, and none of the five were my preferred choice.
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