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[fhg QUOTE from #57 : "whilst there are performers (not just conductors) who regard the "score" as merely a "springboard" for their own revelatory "interpretation", these characters are usually ignored by subsequent generations of listeners and performers".]
Could you give us all a few examples here, please?
Pogorelich and Mustonen come to mind although I am sure they did not so regard the score that is the effect of hearing their interpretations of some works . Pogorelich's Chopin and Mustonen in Grieg's Piano Concerto being particular examples.
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