Correction - it's five Karajan recordings, if you include the Unitel video film from the 1970s.
1950s, Philharmonia:
1960s, BPO:
1970s BPO:
1980s BPO:
... and the video:
(There's also a video/DVD from the '80s, but I think it's the same recording as the CD).
Karajan was a dedicated promoter of the work, and all the recordings are pretty damn fine (the MONO sound on the Philharmonia recording is astonishingly clear - no wonder Legge was a reluctant convert to Stereo if his engineers and the technology could produce sonic standards as good as this). The one from '60s is very special, though - and I don't think that the only reason I believe this is because this was the recording I first got to know the work from.
1950s, Philharmonia:
1960s, BPO:
1970s BPO:
1980s BPO:
... and the video:
(There's also a video/DVD from the '80s, but I think it's the same recording as the CD).
Karajan was a dedicated promoter of the work, and all the recordings are pretty damn fine (the MONO sound on the Philharmonia recording is astonishingly clear - no wonder Legge was a reluctant convert to Stereo if his engineers and the technology could produce sonic standards as good as this). The one from '60s is very special, though - and I don't think that the only reason I believe this is because this was the recording I first got to know the work from.
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