Once again I would like to tap into the knowledge bank that is the R3Forum. Way back I did have a copy of Glenn Gould performing The Well-Tempered Clavier. I have no idea where it is now so it's time for a replacement and I would love to hear of any recommendations. Has to be CD, preferably a much more recent version than Mr Gould's, last 20 or 30 years if possible, preferably both books. I look forward to finding an excuse to make Mr Bezos even richer. Thanks in advance.
The Well-Tempered Clavier.
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I have always loved the vintage Kenneth Gilbert recording for Archiv Produktion - a superb Hemsch harpsichord and a beautiful recording. Since then I have also acquired Christine Schornsheim's account, which is very special as well, and again a magnificent instrument by Ruckers.
I always said I would stop at these, but having recently been impressed with Richard Egarr's Bach recordings of the Partitas, French and English suites, I feel I must have his '48' as well.
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Originally posted by MickyD View PostI have always loved the vintage Kenneth Gilbert recording for Archiv Produktion - a superb Hemsch harpsichord and a beautiful recording. Since then I have also acquired Christine Schornsheim's account, which is very special as well, and again a magnificent instrument by Ruckers.
I always said I would stop at these, but having recently been impressed with Richard Egarr's Bach recordings of the Partitas, French and English suites, I feel I must have his '48' as well.
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Originally posted by Andy2112 View PostOnce again I would like to tap into the knowledge bank that is the R3Forum. Way back I did have a copy of Glenn Gould performing The Well-Tempered Clavier. I have no idea where it is now so it's time for a replacement and I would love to hear of any recommendations. Has to be CD, preferably a much more recent version than Mr Gould's, last 20 or 30 years if possible, preferably both books. I look forward to finding an excuse to make Mr Bezos even richer. Thanks in advance.
For piano, you can't get much better than Angela Hewitt on Hyperion. If I could only have one version, that would be it - though, as with other towering masterpieces, no one intrepretation is really enough. She has recorded it twice; not much between them except the latter has more rubato and is a bit more "expressive". On balance, I prefer the earlier recording (still modern, excellent sound), but that's probably because that is what I am used to. Anyway, you can listen to long excerpts on the Hyperion site.
For something different - for something "hotter"! - you might try Richter. The sound is pretty crappy, as it is usually is with him, but still good enough. I don't know how many versions there are floating about. I've got two recordings of book 1, and one of them is in much better sound. Anyway, the standard complete set is the RCA Victor one.
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Originally posted by waldo View PostNot this again........Doesn't it get boring?
But I would suggest - to widen the appeal - that suggestions for both/either Harpsichord and Piano (or, indeed, synthesizers etc ...) should be included here. Then we can all cherry pick the ones that appeal to us.
(Otherwise, we could change the name of the Thread to The Bad-Tempered Clamouring?)[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Richard Tarleton
Originally posted by waldo View PostFor piano, you can't get much better than Angela Hewitt on Hyperion. If I could only have one version, that would be it - though, as with other towering masterpieces, no one intrepretation is really enough. She has recorded it twice; not much between them except the latter has more rubato and is a bit more "expressive". On balance, I prefer the earlier recording (still modern, excellent sound), but that's probably because that is what I am used to. Anyway, you can listen to long excerpts on the Hyperion site.We're actually booked to hear Angela Hewitt play Book 1 here in Pembrokeshire on April 6. In preparation I've been immersing myself in her recordings (1997-9, repackaged by Hyperion in 2007). I This is an equal opportunities household - this is my only set of the 48, but as well as both AH Goldbergs (I've heard her play them live twice) I have two versions of those on harpsichord, and as well as AH's Art of Fugue I now have several others for various combinations. Angela signed my Art of Fugue set for me the last time we saw her here - I've had the pleasure of talking to her several times. Quite apart from anything else her booklet notes are always exemplary, those to her 48 set no exception. I find her playing illuminating.
She's playing the Goldberg in Cardiff a couple of days later, on April 8, though I'll not be going to that.
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Originally posted by BrassbandmaestroHarpsichord Richard Eggar
Piano Andras Schiff(Decca)
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