I've still got my ones (selected issues from 1977 to 2009). They don't get as much attention as they used to (largely because of the Gramophone Archive) but I would be loath to part with them if only for nostalgic reasons.
Penguin Guides
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Originally posted by visualnickmos View PostMy guide is my ears.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Beef Oven!He got the nod on Parsifal when it should have been Kubelik and was favoured with a few others similarly, but this was more than off-set by the puzzling downgrading of his Brahms.
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Originally posted by ferneyhoughgeliebte View PostWell, indeed - but there isn't time to listen to every new release and a little help is very useful as a filter. There are artists whose work generally I have no time for, so it is useful to have access to comments from others whose opinions I have generally agreed with in the past, pointing out that maybe - just maybe - this time they'll convince me that they're worth listening to.
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For the new edition out this Autumn I nominate three new editors
Ferneyhoughgeliebte - for intellectual rigour and a wide knowledge of the repertoire
HighlandDougie - for never having personal axes to grind as well as being an impeccable judge
Beef Oven - for those fibrous individual nuances and being the collectors champion
Any chance of these three agreeing? Might need Waldo as consulting editor.
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Originally posted by visualnickmos View Post... what I really mean is that after 'filtration' it is the final taste that I'm referring to.
I think the PG seemed to take a rather narrow line in its critiques... just my opinion, that's all.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post
Funnily enough, I detected a distinct "Karajan-scepticism" rather than the "If it ain't Herbie, it ain't much" you sensed.
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Originally posted by Alison View PostFor the new edition out this Autumn I nominate three new editors
Ferneyhoughgeliebte - for intellectual rigour and a wide knowledge of the repertoire
HighlandDougie - for never having personal axes to grind as well as being an impeccable judge
Beef Oven - for those fibrous individual nuances and being the collectors champion
Any chance of these three agreeing? Might need Waldo as consulting editor.
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Originally posted by Conchis View PostDoes anyone find that they can still quote some of those reviews virtually verbatim?
I thought it was pretty invaluable when I first started listening - the fact that i didn't entirely understand it probably helped me in my quest to understand more (the same went for the R3 of the time, with its somewhat sombre and definitely not gladhanding presenters - Richard Osborne, for example).
I can remember being very impressed with Jess Thomas in the Karajan Siegfried, only to find that the Guide slammed his performance. In retrospect, they were being harsh but (probably) fair.
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Originally posted by Alison View PostFor the new edition out this Autumn I nominate three new editors
Ferneyhoughgeliebte - for intellectual rigour and a wide knowledge of the repertoire
HighlandDougie - for never having personal axes to grind as well as being an impeccable judge
Beef Oven - for those fibrous individual nuances and being the collectors champion
Any chance of these three agreeing? Might need Waldo as consulting editor.
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