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I bought the November issue this week, after cancelling my subscription quite a while ago. It hasn't tempted me to re-subscribe, although the revamping has improved it a bit.
There are two quite interesting articles this month, one on Jordi Savall, and another on the modern approach to Vivaldi, and I'm glad to see that there are none of those tedious "puff" interviews with performers with a CD to promote.
However, the layout is still rather messy. For example, why are the letters and audio reviews interspersed between the small ads?
I don't think that I'll bother any more.
Incidentally it was curious to see one solitary review in which Edward Greenfield dealt with a CD of solo guitar music, he must be getting on a bit by now.
I'm also an ex-reader having bought every copy for about 30 years, but I still like looking at the archive. I've just got the Kirsten Flagstad Icon Box which is certainly recommendable. Some of the items are quite obscure, so I Googled around a bit. I happened upon this delightfully quirky old-style Gramophone review from 1937:
"I make no pretence at criticizing this record; I do not know the songs and what little I once knew of Norwegian has almost completely evaporated: still, I know that Lys Natt means Light Night. Granting the soundness of the singer's interpretations, the record should be very welcome to those who are familiar with the songs. The voice does not thrill me as a good many other voices can do, but I recognize and pay homage to its matchless beauty. Mme. Flagstad has a very able colleague at the piano; the recording is superb."
He's about 83 now and one of the great enthusiasts of our time - all hail!
I once attended a pre-concert talk by EG on the Elgar 2nd Symphony in one of those rooms in the RFH. No doubting his enthusiasm but the recorded extracts were played at such a deafeningly high volume I did wonder if that was how he listened to discs for review.
"The sound is the handwriting of the conductor" - Bernard Haitink
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