Boult's Elgar symphonies

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  • EdgeleyRob
    Guest
    • Nov 2010
    • 12180

    #16
    Originally posted by Petrushka View Post
    My reaction on hearing these Boult performances for the first time couldn't have been more different. Yes, the live Proms performances from 1976 and 1977 have an extra frisson of excitement but have to agree with EA that the Lyrita recordings represent the pinnacle of Boult's achievement in these works.
    Yes they just feel like definitive interpretations to me.

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    • cloughie
      Full Member
      • Dec 2011
      • 22126

      #17
      Originally posted by EdgeleyRob View Post
      Yes they just feel like definitive interpretations to me.
      Perhaps mot across the board definitive, but definitely neat performances that would be expected from Sir Adrian, but should you be an afficionado of Sir John then you maybe you will find the different approach doesn't suit. I like both approaches depending on my musical mood.

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      • EdgeleyRob
        Guest
        • Nov 2010
        • 12180

        #18
        Originally posted by cloughie View Post
        Perhaps mot across the board definitive, but definitely neat performances that would be expected from Sir Adrian, but should you be an afficionado of Sir John then you maybe you will find the different approach doesn't suit. I like both approaches depending on my musical mood.


        Doh,meant definitive Boult interpretations

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        • Alain Maréchal
          Full Member
          • Dec 2010
          • 1286

          #19
          Originally posted by Eine Alpensinfonie View Post

          However, I just wish the Halle Orchestra would not divide their violins in the Bridgewater Hall. It just makes the seconds sound weaker.
          Boult wrote* that when seated on the right of the conductor the seconds should be made to sit upright and to ensure their instruments do not face inward towards the orchestra, so that their sound reaches the audience clearly (and simultaneously with the firsts).

          *"Platform Planning", quoted in Appendix One, "Adrian Boult" by Michael Kennedy, Hamish Hamilton, London 1987. (It also contains some notes on Elgar's scoring, quoting letters from E.E. to A.B.) This is a fascinating book, which I recommend.
          Last edited by Alain Maréchal; 14-07-17, 05:58. Reason: citation

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          • Pabmusic
            Full Member
            • May 2011
            • 5537

            #20
            Originally posted by Alain Maréchal View Post
            Boult wrote* that when seated on the right of the conductor the seconds should be made to sit upright and to ensure their instruments do not face inward towards the orchestra, so that their sound reaches the audience clearly (and simultaneously with the firsts)...
            He also wrote (and said) that there should be at least one desk more of 2nds than 1sts. For balance.

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