umslopogaas
Those Honnegger Supraphon LPs were great. I should still have 2/3 somewhere in a box.
I've been thinking a bit about this for myself. My first LPs were a bit of a disaster - one was of the New World Symphony on a label called Gala, but there was something wrong with the disc and we took it back to the shop to be replaced by Grieg Peer Gynt and Bizet L'Arlesienne conducted by Ormandy. Mono - but very good - still got that one.
A couple which really got to me were Oistrakh playing Mendelssohn Violin Concerto - again Ormandy, and one of Dvorak's Cello Concerto on Telefunken. One of these certainly wasn't mine, and I've recently tried to find out which of the versions available at the time (around 1960 maybe) the Cello Concerto might have been. I did get the Violin Concerto though - but I might have heard another copy first. It just amazed me that anyone could play so many notes - I think particularly in the 2nd movement.
Another couple of early LPs were Mozart 40 and Brahms 1 on RCA with Fjelstad and Odd-Grunner-Hegge! [Never heard of them, you'll say!]. Konwitschny's Beethoven 7 came soon after.
Later on I particularly liked Bruno Walter's Dvorak 8th, and some Supraphon LPs of Janacek, including the Glagolitic Mass and the Sinfonietta, and also Brahms Double Concerto with Suk and Navarra, and Brahms Piano Conc. 1 with Curzon and Szell.
Things just went on from there ...... I was going to concerts in parallel - initially string quartets, with the occasional orchestral concert, but I'm afraid I did start to go to perhaps at least one orchestral concert a week if I could from the age of 12.
Those Honnegger Supraphon LPs were great. I should still have 2/3 somewhere in a box.
I've been thinking a bit about this for myself. My first LPs were a bit of a disaster - one was of the New World Symphony on a label called Gala, but there was something wrong with the disc and we took it back to the shop to be replaced by Grieg Peer Gynt and Bizet L'Arlesienne conducted by Ormandy. Mono - but very good - still got that one.
A couple which really got to me were Oistrakh playing Mendelssohn Violin Concerto - again Ormandy, and one of Dvorak's Cello Concerto on Telefunken. One of these certainly wasn't mine, and I've recently tried to find out which of the versions available at the time (around 1960 maybe) the Cello Concerto might have been. I did get the Violin Concerto though - but I might have heard another copy first. It just amazed me that anyone could play so many notes - I think particularly in the 2nd movement.
Another couple of early LPs were Mozart 40 and Brahms 1 on RCA with Fjelstad and Odd-Grunner-Hegge! [Never heard of them, you'll say!]. Konwitschny's Beethoven 7 came soon after.
Later on I particularly liked Bruno Walter's Dvorak 8th, and some Supraphon LPs of Janacek, including the Glagolitic Mass and the Sinfonietta, and also Brahms Double Concerto with Suk and Navarra, and Brahms Piano Conc. 1 with Curzon and Szell.
Things just went on from there ...... I was going to concerts in parallel - initially string quartets, with the occasional orchestral concert, but I'm afraid I did start to go to perhaps at least one orchestral concert a week if I could from the age of 12.
Comment