Here's some heart-on-the-sleeve Bernstein from a 1979 TV broadcast with the New York Phil (fourth movement only):
I'd imagine this was one of Bernstein's first few chances to play this after Shosty's death in 1975, which may account for the waterworks at the end. Bernstein supposedly felt very close to Shostakovich after his USSR visit in 1957. You could also say this is one of the last entirely 'triumphal' versions of the symphony to be played right before the 1980 post-Testimony sea-change in our understanding of the symphony that Petrushka rightly mentions.
(Footage of Lenny and Shosty here: http://www.youtube.com/watch?v=_97ksyOhSXs, featuring the fastest tempo I've ever heard. Perhaps Lenny was trying to get out of town before the cultural thaw was over?)
I'd imagine this was one of Bernstein's first few chances to play this after Shosty's death in 1975, which may account for the waterworks at the end. Bernstein supposedly felt very close to Shostakovich after his USSR visit in 1957. You could also say this is one of the last entirely 'triumphal' versions of the symphony to be played right before the 1980 post-Testimony sea-change in our understanding of the symphony that Petrushka rightly mentions.
(Footage of Lenny and Shosty here: http://www.youtube.com/watch?v=_97ksyOhSXs, featuring the fastest tempo I've ever heard. Perhaps Lenny was trying to get out of town before the cultural thaw was over?)
Comment