Best of Norrington
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Originally posted by Bryn View Post
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Problem is, I used Total Recorder to capture the audio, then burned to a CD-R to listen to via my standard system. The congestion and dynamic compression was of Classic FM level. Listening direct from You Tube via a USB DAC (Dacmagic XS) to headphones, the sound is a little more acceptable, but the congestion and compression is still pretty blatant. It sounds rather as if the recording used for the YouTube upload may have been made via an automatic gain circuit.
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Today this/these were brought to my attention - https://www.jpc.de/jpcng/classic/det...n/hnum/1010985
The Seasons, the Creation and some CPE Bach at the same site.
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Originally posted by makropulos View PostIf I had to name one, it would be the Hänssler set of the Haydn London Symphonies. Wonderfully fresh and invigorating playing, with really marvellous "Drum Roll" symphony. I'm not generally enthusiastic about RN but that Haydn set is quite exceptional in my view.
And don't forget the Schubert ...#16...!
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POriginally posted by ferneyhoughgeliebte View PostI don't think I want "charm" in this work, though, cloughie - more, "Grand Guignol avant la lettre".
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Originally posted by cloughie View PostMaybe charm is the wrong term - I just love the raw sound that Decca recorded with the PCO in the late fifties/early sixties and a contrast to the smoother sound in London and Vienna. That sound seemed to be lost forever when the stardard internal sounding Orchestre de Paris appeared on the scene.
Certainly Martinon is a conductor I much admire, so I shall try and find his SF[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by EdgeleyRob View PostI really should read those Bruckner edition threads.
Listening to the 4th symphony from the Norrington Romantics box earlier I was tacken aback when the scherzo wasn't the 'hunting' one.
Amazing isn't it? Very daring & original piece, and Norrington's SWR recording of 4/1874 and 3/1873 are some of the best things he's ever done. He really makes them work on their own sweepingly lyrical and dramatic terms, with his SWR-characteristic legato phrasing and far-sighted, architecturally-graded climaxes. The finale of 4/1874 makes sense in a way I've never quite heard in other recordings, even as fine as Young and Rozhdestvensky are...
Shame Blomstedt hasn't done the original 4th... but there's still time...!
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Originally posted by jayne lee wilson View PostI bet you were!
Amazing isn't it? Very daring & original piece, and Norrington's SWR recording of 4/1874 and 3/1873 are some of the best things he's ever done. He really makes them work on their own sweepingly lyrical and dramatic terms, with his SWR-characteristic legato phrasing and far-sighted, architecturally-graded climaxes. The finale of 4/1874 makes sense in a way I've never quite heard in other recordings, even as fine as Young and Rozhdestvensky are...
Shame Blomstedt hasn't done the original 4th... but there's still time...!
Bruckner is not really my thing but yes I did enjoy this.
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