Re Karajan and Brahms: Did he ever perform, let alone record, the Academic Festival Overture? Some critics would have you believe that it's not top-notch Brahms and perhaps Karajan was inclined to this view, but then, his immense discography does include items which are equally less than top-notch. Is he on record (no pun intended) as disparaging the overture in any way and refusing to tape it?
Brahms Symphony Cycles
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Originally posted by Beef Oven! View Post
Do you know how long these remain up for? And is it a regular thing?
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Originally posted by HighlandDougie View PostAlas, no idea about how long the NDR audio link is available (although I haven't explored their website which might provide the answer). Video of the concert (split into bite-sized chunks) seems to be available on Arte TV. You'll find the links on this absolutely treasurable website, known, I think, to a good number of forumistos/stas:
http://orchestraondemand.blogspot.co.uk/
I had a quick whizz around the NDR site, but it doesn’t say how long there up for (or at least my very limited German revealed nothing!).
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Originally posted by Petrushka View PostRe Karajan and Brahms: Did he ever perform, let alone record, the Academic Festival Overture? Some critics would have you believe that it's not top-notch Brahms and perhaps Karajan was inclined to this view, but then, his immense discography does include items which are equally less than top-notch. Is he on record (no pun intended) as disparaging the overture in any way and refusing to tape it?
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Originally posted by akiralx View PostHe did not record it AFAIK - and certainly did not record (or ever conduct) the D minor piano concerto (No. 1) which he seemed to regard as jinxed..."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostYes, Richard Osborne mentions this in his biography (page 504) but no-one seems to know why. Karajan always changed the subject whenever the D Minor Piano Concerto came up. The Academic Festival Overture isn't mentioned anywhere as far as I am aware but remember seeing some comment a very long time ago that Karajan considered the piece below standard and not worthy.
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Originally posted by Stanfordian View PostI agree with HvK I think the Academic Festival Overture is one of his weakest works.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostIndeed - but it is Brahms we're talking about; and his "weaker works" are worth the entire catalogues of most of his contemporaries'. (And I prefer it to the Hungarian Dances, anyway.)Don’t cry for me
I go where music was born
J S Bach 1685-1750
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In the right hands the Academic Festival can be a belter.
I can still recall Klaus Tennstedt kicking off a London Philharmonic all Brahms programme.
From its limp wispy beginning the overture builds thrillingly to the orchestra at full pelt. As a young school kid sitting in the cheap choir seats I was absolutely riveted. One of my earliest trips to an orchestral concert, the piece provides a young person's guide to the orchestra in all but name.
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Originally posted by Alison View PostIn the right hands the Academic Festival can be a belter.
I can still recall Klaus Tennstedt kicking off a London Philharmonic all Brahms programme.
From its limp wispy beginning the overture builds thrillingly to the orchestra at full pelt. As a young school kid I was absolutely riveted. What writing for the horns!
"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostDo agree! At school music lessons when I was about 12 our music teacher had us singing Gaudeamas Igitur along with the Overture as it played on the turntable. It's a rousing tune and must be one of the first memories I have of classical music.
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Interesting that nobody has mentioned the Rattle Brahms cycle.
At the time of release many deemed it very fine, even marking a turning point in his relationship with the Berliners.
Alas a familiar story for me: all very interesting and often impressive yet little urge to relisten.
Thinking about it I haven't returned to the recent LSO Bruckner 8 either to which I would apply the same adjectives.
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Originally posted by Alison View PostInteresting that nobody has mentioned the Rattle Brahms cycle.
At the time of release many deemed it very fine, even marking a turning point in his relationship with the Berliners.
Alas a familiar story for me: all very interesting and often impressive yet little urge to relisten."The sound is the handwriting of the conductor" - Bernard Haitink
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