Brahms Symphony Cycles

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  • Petrushka
    Full Member
    • Nov 2010
    • 12250

    Re Karajan and Brahms: Did he ever perform, let alone record, the Academic Festival Overture? Some critics would have you believe that it's not top-notch Brahms and perhaps Karajan was inclined to this view, but then, his immense discography does include items which are equally less than top-notch. Is he on record (no pun intended) as disparaging the overture in any way and refusing to tape it?
    "The sound is the handwriting of the conductor" - Bernard Haitink

    Comment

    • HighlandDougie
      Full Member
      • Nov 2010
      • 3091

      Originally posted by Beef Oven! View Post

      Do you know how long these remain up for? And is it a regular thing?
      Alas, no idea about how long the NDR audio link is available (although I haven't explored their website which might provide the answer). Video of the concert (split into bite-sized chunks) seems to be available on Arte TV. You'll find the links on this absolutely treasurable website, known, I think, to a good number of forumistos/stas:

      Mostly free streaming of orchestra concert broadcasts (new video, audio links)

      Comment

      • Beef Oven!
        Ex-member
        • Sep 2013
        • 18147

        Originally posted by HighlandDougie View Post
        Alas, no idea about how long the NDR audio link is available (although I haven't explored their website which might provide the answer). Video of the concert (split into bite-sized chunks) seems to be available on Arte TV. You'll find the links on this absolutely treasurable website, known, I think, to a good number of forumistos/stas:

        http://orchestraondemand.blogspot.co.uk/
        Thanks for that link, too!

        I had a quick whizz around the NDR site, but it doesn’t say how long there up for (or at least my very limited German revealed nothing!).

        Comment

        • peterkin
          Full Member
          • Jun 2015
          • 33

          Originally posted by DublinJimbo View Post
          Janowski/Pittsburgh is my favourite set. It really grabbed me on a first hearing, and continues to do so.
          Janowski for me with the Klemperer No1

          Comment

          • akiralx
            Full Member
            • Oct 2011
            • 427

            Originally posted by Petrushka View Post
            Re Karajan and Brahms: Did he ever perform, let alone record, the Academic Festival Overture? Some critics would have you believe that it's not top-notch Brahms and perhaps Karajan was inclined to this view, but then, his immense discography does include items which are equally less than top-notch. Is he on record (no pun intended) as disparaging the overture in any way and refusing to tape it?
            He did not record it AFAIK - and certainly did not record (or ever conduct) the D minor piano concerto (No. 1) which he seemed to regard as jinxed...

            Comment

            • Petrushka
              Full Member
              • Nov 2010
              • 12250

              Originally posted by akiralx View Post
              He did not record it AFAIK - and certainly did not record (or ever conduct) the D minor piano concerto (No. 1) which he seemed to regard as jinxed...
              Yes, Richard Osborne mentions this in his biography (page 504) but no-one seems to know why. Karajan always changed the subject whenever the D Minor Piano Concerto came up. The Academic Festival Overture isn't mentioned anywhere as far as I am aware but remember seeing some comment a very long time ago that Karajan considered the piece below standard and not worthy.
              "The sound is the handwriting of the conductor" - Bernard Haitink

              Comment

              • Stanfordian
                Full Member
                • Dec 2010
                • 9312

                Originally posted by Petrushka View Post
                Yes, Richard Osborne mentions this in his biography (page 504) but no-one seems to know why. Karajan always changed the subject whenever the D Minor Piano Concerto came up. The Academic Festival Overture isn't mentioned anywhere as far as I am aware but remember seeing some comment a very long time ago that Karajan considered the piece below standard and not worthy.
                I agree with HvK I think the Academic Festival Overture is one of his weakest works.

                Comment

                • ferneyhoughgeliebte
                  Gone fishin'
                  • Sep 2011
                  • 30163

                  Originally posted by Stanfordian View Post
                  I agree with HvK I think the Academic Festival Overture is one of his weakest works.
                  Indeed - but it is Brahms we're talking about; and his "weaker works" are worth the entire catalogues of most of his contemporaries'. (And I prefer it to the Hungarian Dances, anyway.)
                  [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                  Comment

                  • BBMmk2
                    Late Member
                    • Nov 2010
                    • 20908

                    Originally posted by ferneyhoughgeliebte View Post
                    Indeed - but it is Brahms we're talking about; and his "weaker works" are worth the entire catalogues of most of his contemporaries'. (And I prefer it to the Hungarian Dances, anyway.)
                    Very true, Ferney!
                    Don’t cry for me
                    I go where music was born

                    J S Bach 1685-1750

                    Comment

                    • cloughie
                      Full Member
                      • Dec 2011
                      • 22120

                      Originally posted by Stanfordian View Post
                      I agree with HvK I think the Academic Festival Overture is one of his weakest works.
                      I suspect that like most conductors HvK had his favourites and unfavourites - a bit like choir MDs.

                      Comment

                      • Alison
                        Full Member
                        • Nov 2010
                        • 6455

                        In the right hands the Academic Festival can be a belter.

                        I can still recall Klaus Tennstedt kicking off a London Philharmonic all Brahms programme.

                        From its limp wispy beginning the overture builds thrillingly to the orchestra at full pelt. As a young school kid sitting in the cheap choir seats I was absolutely riveted. One of my earliest trips to an orchestral concert, the piece provides a young person's guide to the orchestra in all but name.

                        Comment

                        • Petrushka
                          Full Member
                          • Nov 2010
                          • 12250

                          Originally posted by Alison View Post
                          In the right hands the Academic Festival can be a belter.

                          I can still recall Klaus Tennstedt kicking off a London Philharmonic all Brahms programme.

                          From its limp wispy beginning the overture builds thrillingly to the orchestra at full pelt. As a young school kid I was absolutely riveted. What writing for the horns!
                          Do agree! At school music lessons when I was about 12 our music teacher had us singing Gaudeamas Igitur along with the Overture as it played on the turntable. It's a rousing tune and must be one of the first memories I have of classical music.

                          "The sound is the handwriting of the conductor" - Bernard Haitink

                          Comment

                          • cloughie
                            Full Member
                            • Dec 2011
                            • 22120

                            Originally posted by Petrushka View Post
                            Do agree! At school music lessons when I was about 12 our music teacher had us singing Gaudeamas Igitur along with the Overture as it played on the turntable. It's a rousing tune and must be one of the first memories I have of classical music.
                            I was about to say the same - good tunes to sing along to!

                            Comment

                            • Alison
                              Full Member
                              • Nov 2010
                              • 6455

                              Interesting that nobody has mentioned the Rattle Brahms cycle.

                              At the time of release many deemed it very fine, even marking a turning point in his relationship with the Berliners.

                              Alas a familiar story for me: all very interesting and often impressive yet little urge to relisten.

                              Thinking about it I haven't returned to the recent LSO Bruckner 8 either to which I would apply the same adjectives.

                              Comment

                              • Petrushka
                                Full Member
                                • Nov 2010
                                • 12250

                                Originally posted by Alison View Post
                                Interesting that nobody has mentioned the Rattle Brahms cycle.

                                At the time of release many deemed it very fine, even marking a turning point in his relationship with the Berliners.

                                Alas a familiar story for me: all very interesting and often impressive yet little urge to relisten.
                                Much the same here. I bought that set on the day it came out but have hardly played it since. Memory says performances are fine but others do them better. 'Little urge to relisten' about sums it up.
                                "The sound is the handwriting of the conductor" - Bernard Haitink

                                Comment

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