Originally posted by pastoralguy
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Honeck's Beethoven 5 & 7...
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Just as a ps, I received a very prompt email from reference recordings who could no offer explanation of the problem. They did offer to send me a file which I thought was very thoughtful of them.
I wonder what response I would have got (if any!) had it been a Polygram disc.
Sounds like a record company to watch.
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Originally posted by pastoralguy View PostJust as a ps, I received a very prompt email from reference recordings who could no offer explanation of the problem. They did offer to send me a file which I thought was very thoughtful of them.
I wonder what response I would have got (if any!) had it been a Polygram disc.
Sounds like a record company to watch.
Many audiophiles became aware of RR in the early 2000s through their HDCD releases. The medium certainly works well, and you'd sit there eagerly awaiting that little red light to illuminate the fascia of your CD player. Most of these (Arcam Alpha 9 etc) had the Pacific Microsonics filter chipset which also had a very pleasing effect on CD reproduction itself. The recordings themselves were mainly from USA sources like Minnesota with Eiji Oue or Skrowacewski. Musical results were variable though - a tendency to offset the roomshaking dynamics with the politely beautiful, and musically somewhat anonymous interpretations...
Best of them were probably the Stravinsky disc and the Rachmaninov Symphonic Dances, but the ones I played most often were Serebrier's Czech-State- Brno Janacek. Just to see if each auditioned speaker could take it......
Lovely Vixen Suite on RR-75, with a physically overwhelming sunrise!
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Originally posted by jayne lee wilson View Postread all about it....
Many audiophiles became aware of RR in the early 2000s through their HDCD releases. The medium certainly works well, and you'd sit there eagerly awaiting that little red light to illuminate the fascia of your CD player. Most of these (Arcam Alpha 9 etc) had the Pacific Microsonics filter chipset which also had a very pleasing effect on CD reproduction itself. The recordings themselves were mainly from USA sources like Minnesota with Eiji Oue or Skrowacewski. Musical results were variable though - a tendency to offset the roomshaking dynamics with the politely beautiful, and musically somewhat anonymous interpretations...
Best of them were probably the Stravinsky disc and the Rachmaninov Symphonic Dances, but the ones I played most often were Serebrier's Czech-State- Brno Janacek. Just to see if each auditioned speaker could take it......
Lovely Vixen Suite on RR-75, with a physically overwhelming sunrise!
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This may be mentioned on the RR website, but it's worth noting that recordings with the FR prefix (Honeck's Bruckner and Beethoven, Thierry Fischer's Mahler 1) are engineered by others (SoundMirror, for example). Those with the coveted RR prefix are engineered by the company's in-house audio wizard, 'Prof' Keith O. Johnson. A first-class example of the latter's work is Organ Polychrome (RR-133) which is probably the finest organ recordings I've ever heard. The FR series isn't in the same league, IMO...
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Originally posted by mahlerei View PostThis may be mentioned on the RR website, but it's worth noting that recordings with the FR prefix (Honeck's Bruckner and Beethoven, Thierry Fischer's Mahler 1) are engineered by others (SoundMirror, for example). Those with the coveted RR prefix are engineered by the company's in-house audio wizard, 'Prof' Keith O. Johnson. A first-class example of the latter's work is Organ Polychrome (RR-133) which is probably the finest organ recordings I've ever heard. The FR series isn't in the same league, IMO...
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Originally posted by jayne lee wilson View Postsignificant detail, thanks... seems true of all the Pittsburgh SACDS, none of which I've heard though... I don't do SACD.
You are most welcome. The 24/96 flacs of Organ Polychrome are superb too. Good playing and the Kansas City Casavant is a beaut. Try the Guilmant Caprice, if nothing else:
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Originally posted by mahlerei View PostThis may be mentioned on the RR website, but it's worth noting that recordings with the FR prefix (Honeck's Bruckner and Beethoven, Thierry Fischer's Mahler 1) are engineered by others (SoundMirror, for example). Those with the coveted RR prefix are engineered by the company's in-house audio wizard, 'Prof' Keith O. Johnson. A first-class example of the latter's work is Organ Polychrome (RR-133) which is probably the finest organ recordings I've ever heard. The FR series isn't in the same league, IMO...
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Originally posted by jayne lee wilson View Postread all about it....
Many audiophiles became aware of RR in the early 2000s through their HDCD releases. The medium certainly works well, and you'd sit there eagerly awaiting that little red light to illuminate the fascia of your CD player. Most of these (Arcam Alpha 9 etc) had the Pacific Microsonics filter chipset which also had a very pleasing effect on CD reproduction itself. The recordings themselves were mainly from USA sources like Minnesota with Eiji Oue or Skrowacewski. Musical results were variable though - a tendency to offset the roomshaking dynamics with the politely beautiful, and musically somewhat anonymous interpretations...
Best of them were probably the Stravinsky disc and the Rachmaninov Symphonic Dances, but the ones I played most often were Serebrier's Czech-State- Brno Janacek. Just to see if each auditioned speaker could take it......
Lovely Vixen Suite on RR-75, with a physically overwhelming sunrise!
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