The Prokofiev 5 was released in Britain by World Record Club, as was Sargent's Pines and Fountains of Rome. I think both were originally Everest recordings.
Sargent recordings
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Originally posted by Roslynmuse View PostI remember a Sargent disc of 'Famous Popular Overtures' on HMV Concert Classics that I used to enjoy (Hebrides, Meistersinger, Silken Ladder, Roman Carnival and Bartered Bride, I think)
​Last edited by Maclintick; 28-09-24, 09:02.
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Sargent's Beethoven piano concertos with Schnabel and the LPO / LSO, recorded at Abbey Road in the 30s, are well worth the listen; 3 & 4 are particular favourites for me (LPO, 1933), nicely restored by Mark Obert-Thorn on Naxos.
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Originally posted by Andrew Slater View PostApparently he had to stand on a shelf above the orchestra, harnessed to the wall, conducting with his right hand and pushing the singers' heads into the horn at appropriate moments with his left hand.
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Originally posted by rauschwerk View PostHis Everest Shostakovich 9 introduced me to the work, and it was only later that I realised that the second movement was a good deal too slow.
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I would have listened if I'd known it was going to be broadcast. But I don't think they publish a full list in advance for 'Breakfast' just in case the small talk leaves insufficient time for music .
I have heard 'Windy day' in the past and I agree it's a difficult work to attribute. It makes me wonder what else Sargent might have given us had he devoted more time to composing .
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I'm curious that this discussion has emerged. Has the box been reissued? I've probably got it, but will have to check. I have some LPs with Sargent - Schubert 8 and Rosamunde, and Holst's Planets are a few. There may even be some 78s - though not sure whether I inherited them or not. I rescued a few when my parents' house was sold. I recall some 78s with well known singers from earlier periods.
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In my youth I owned several Sargent LPs, apart from the Famous Popular Overtures above, mostly because he often appeared on mid-price labels such as HMV Concert Classics or CFP - a cost-effective way for an impecunious student to acquire decent recordings at modest outlay. They weren't all gold-standard, and a rough-&-ready Walton 1 taped in 1966 when he was already quite ill suffered in comparison to the celebrated LSO/Previn account released in the same month, but an excellent earlier stereo BBCSO Sibelius 5 coupled with a marvellously atmospheric Pohjola's Daughter still stands comparison with any, IMHO.
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