Originally posted by smittims
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Indispensable recordings 20.07.2024. Proms Composer 1: Verdi
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Originally posted by Mandryka View Post
Is it true really true that there are no indispensable recordings of Don Carlos?
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Here are my five then
Marie Claire Alain's first Art of Fugue (Musical Heritage Society)
Gustav Leonhardt's second Art of Fugue (Deutsche Harmonia Mundi)
Matteo Messori's Art of Fugue
Rudof Scheidegger's Art of Fugue
Wolfgang Rubsam's third Art of Fugue (Counterpoint Records)
Håkan Wikman's Art of Fugue
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Originally posted by Mandryka View PostHere are my five then
Marie Claire Alain's first Art of Fugue (Musical Heritage Society)
Gustav Leonhardt's second Art of Fugue (Deutsche Harmonia Mundi)
Matteo Messori's Art of Fugue
Rudof Scheidegger's Art of Fugue
Wolfgang Rubsam's third Art of Fugue (Counterpoint Records)
Håkan Wikman's Art of Fugue
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Originally posted by Mandryka View PostHere are my five then
Marie Claire Alain's first Art of Fugue (Musical Heritage Society)
Gustav Leonhardt's second Art of Fugue (Deutsche Harmonia Mundi)
Matteo Messori's Art of Fugue
Rudof Scheidegger's Art of Fugue
Wolfgang Rubsam's third Art of Fugue (Counterpoint Records)
Håkan Wikman's Art of Fugue
I don't think this concept warrants a sub-forum but I plan on starting a thread each week during the 2024 Proms as the Proms Composer gets named.
OK?
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Originally posted by Pulcinella View Post
There's a fugue of sorts (more a fugato) in the Quam olim Abrahae section of the creepy Requiem!
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Originally posted by Ein Heldenleben View Post
Yes I thought there might be one in the Requiem - and a micro fugue at the end of Falstaff in Tutto Nel Mundo e Burla in Falstaff . Other than that I’m stumped - maybe one in the Four Sacred Pieces ?
I'm amused by the Te Deum being scored for a short soprano though.
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Originally posted by Pulcinella View Post
Doesn't look like it:
I'm amused by the Te Deum being scored for a short soprano though.
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Originally posted by Ein Heldenleben View Post
Yes I thought there might be one in the Requiem - and a micro fugue at the end of Falstaff in Tutto Nel Mundo e Burla in Falstaff . Other than that I’m stumped - maybe one in the Four Sacred Pieces ?"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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My five indispensable Verdi recordings are probably
Simon Boccanegra, La Scala, Abbado, Freni, Cappuccilli, Carreras
La Traviata, Kleiber, Cotrubas, Domingo
Il Trovatore, Karajan, Callas, Di Stefano, Panerai
Macbeth, La Scala, Abbado, Verrett, Cappuccilli, Domingo
Ernani, La Scala, Muti, Freni, Domingo, Bruson, Ghiaurov
"I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square."
Lady Bracknell The importance of Being Earnest
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It's difficult not to opt for the whole of the Toscanini Verdi box on RCA – particularly for the incomparable Falstaff and Otello and for wonderful non-operatic things like the 'Te Deum'. But I know that these programmes aren't intended as 'historical' surveys. Given that, and going only for stereo recordings, here are five which I play often and with great pleasure:
Traviata, Kleiber/Cotrubas (DG)
Aida, Solti/Leontyne Price (Decca)
Falstaff, Solti/Geraint Evans (Decca)
Trovatore, Pappano/Gheorghiu (EMI/Warner)
Rigoletto, Giulini/Cotrubas, Domingo (DG)
But these are tough choices – there's a lot of great Verdi and it would be easy to come up with another five that are just as 'indispensable' (Giulini's Don Carlos, one of the Karajan Trovatores, Pappano's Requiem...and so on).
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